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FESTIVAL: A CITY’S READING HABIT ON DISPLAY

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Literary festivals often try to impress audiences with grand declarations about culture and community. The 10th Adab Festival in Karachi did not rely on any of that. It worked on another rhythm altogether.

It was shaped by movement, crowds, close distances, overlapping sessions, and the feeling of walking through a city’s reading habit put on display. It felt less like a polished showcase and more like a lived-in meeting ground, where people came for books but stayed for everything orbiting around them.

The festival opened at Habitt City with plenty of ceremony. Poet Zehra Nigah presided over the inauguration, and the students of Roots Millennium School began the day with the national anthem. The festival’s founding director, Ameena Saiyid, and Habitt City’s CEO, Munis Abdullah, welcomed the visitors, setting the tone for the kind of space the Adab Fest tries to create every year, one that pulls in readers, writers and the generally curious from all corners of the city.

The announcement of the Infaq Foundation Adab Festival Literary Awards followed shortly after, highlighting works across Sindhi, Urdu and English. The line-up of awardees and speakers reminded everyone how large the country’s literary landscape actually is, even when we tend to view it through a narrow lens.

Ten festivals in, the Adab Festival has settled into its own personality. It is dense, loud, packed, informal and full of people who arrive with strong reading habits or at least a strong curiosity

A major part of the emotional core of the day came during the ‘Tum Yaad Aaye: In Memoriam’ segment. A long list of names of artists, writers and cultural workers filled the hall with a kind of quiet acknowledgement of their loss. Shayma Saiyid sang a piece once sung by Nayyara Noor. It created a pause in a festival that otherwise kept the crowd on a steady shuffle from sections titled ‘City Talks’ and ‘Arena’. For a moment, everyone in the hall stayed still.

The rest of the first day moved fast. Sessions ran at the same time in different corners of the venue, which meant most visitors spent the day choosing between topics that deserved attention. Urdu literature, political thought, history, education, the environment and art kept showing up in different combinations. One could sense how the city’s own restlessness shaped the event. Karachi likes to multitask and the festival mirrored that habit.

The children’s area stood out this year. Parents kept drifting in with small backpacks and snack boxes while the kids were pulled into puppet shows, crafts, talent segments, writing workshops and a steady bustle of voices. Storytelling by Yasmin Motasim had its own following and Taha Kehar’s writing workshop for teenagers looked packed from the moment it opened. The organisers clearly wanted the younger visitors to feel included in the life of the festival, and the result was a small corner that felt like its own world.

Among the more talked-about conversations was the ‘Karachi Biennale: Connecting Art, the City and its People’ featuring curator Noor Ahmed, artist Amin Gulgee and the founding trustee of the Karachi Biennale Trust Bushra Hussain, moderated by journalist Syed Hasnain Nawab. The panellists discussed how creative work interacts with urban spaces. Short films made by schoolchildren were also screened, which delved into various sectors and regions of Karachi, for instance Stories of Saddar, which explored the fish market and the workers who grew up inside that world. Another short film looked at neighbourhood changes and the tension created by imported goods. The clips added a rawness that adults often filter out. These small documentary glimpses also made the session feel grounded rather than abstract.

Another session, ‘The Cultural Relationship of Sindh with the River and the Sea’, was moderated by writer Noor ul Huda Shah and the panellists were musician Saif Samejo, development practitioner Naseer Memon and novelist and environmental activist Zubeda Birwani. It explored how landscape shapes identity. Shah used the feminine gender for the Sindhu (Indus River). It changed the tone of the discussion and made the idea of land feel personal instead of distant. Naseer Memon spoke about water scarcity, the advent of corporate agriculture to provide livelihood and the practical limits of irrigation and large-scale food security in a region where months can pass without water eight months in a year. The session moved with a calm rhythm, even as the subject carried weight.

The first day closed with book conversations that appealed to a mixed audience. Amber Zaffar Khan’s My Friend Maya was introduced with a relaxed discussion about friendship, memory and the emotional terrain of growing up. Shabbar Zaidi’s 32 Onkar Road brought a very different energy. He spoke about childhood routines, cinema trips, politics and how economic and social shifts ripple into family life. His mention of “voluntary socialism” and blending of reason with emotion stood out as a window into the book’s internal logic. At the same time, a session on the late Syed Muhammad Taqi’s The Future of Civilisation kept the Arena section busy as the panellists explored resistance, dissent and the politics of refusing to be silenced.

The evening session on Heer by Waris Shah gave the audience a different mood. Sarwat Mohiuddin’s take on the text flowed into a performance by Usama Israr Ahmed, adding music as a kind of commentary rather than decoration. Afterwards, a multilingual mushairah brought speakers from several languages on to one stage. The crowd seemed to grow with every recitation and the atmosphere turned into something close to a street gathering, but indoors.

The second day, I entered slightly later in the day, owing to it being a Sunday. The book launch of Athar Tahir’s Where Cicadas Sing had already begun. The author was joined by novelist and publisher Safinah Danish Elahi and communications and design professor Christie Lauder of Habib University, with communications strategist Shahzad Abdullah moderating. The conversation steered toward the voice in the book and how childhood identity can carry a strange clarity. Lauder pointed out that a child narrator can say things that an adult narrator might not have the privilege of getting away with. That observation stayed in the air long after the conversation ended.

Right after that, writers Shandana Minhas and Taha Kehar held a session on Minhas’ latest novel Ferdowsnama. Her shift toward a more historically rooted narrative required serious research and she spoke openly about the process. The audience responded well to her honesty about the labour involved.

The mood changed again when Shehzad Ghias’ Pakistan Lost: Ideas on the Idea of Pakistan was discussed in a panel led by journalist Amber Rahim Shamsi. Columnist Nadeem Farooq Paracha, journalist Zahid Hussain and writer and policeman Omar Shahid Hamid approached the subject from different angles, circling around the many ideas that have shaped the national story over decades.

The challenge of the festival became clearer by the second day. Too many sessions (that I wanted to attend) were happening at the same time. One had to choose between equally meaningful conversations. The venue itself had charm but the tight walkways and the constant back and forth made movement tough. People kept stopping to talk to writers, which added to the crowding, although it provided the emotional engagement and warmth required in such festivals. It was the kind of environment where you bumped into an author while trying to find your next session.

Ten festivals in, the Adab Festival has settled into its own personality. It is dense, loud, packed, informal and full of people who arrive with strong reading habits or at least a strong curiosity. The festival continues to provide Karachi a cultural marker every year, and sometimes even twice a year! It shows how many voices live in the city and how many more keep showing up. The result is a kind of organised excess. And maybe that is the most Karachi thing about it.

The writer is the head of content at a communications agency

Published in Dawn, Books & Authors, November 30th, 2025



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Wonder Craft: Paper cup dustbin – Newspaper

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Recycling things is one of those habits that makes you feel proud, like you did something good without trying too hard and also helped the environment.

We all have things lying around, some in use, some totally useless, and half the time we don’t even notice them. So one random moment, a thought came into my mind: why not turn a paper cup into something useful instead of throwing it away? And then I came up with making this tiny DIY craft dustbin from a simple paper cup. It’s a small, fun idea that actually “works” and looks cute on the table. Let’s start making.

Photos by the writer

Things you need:

  1. Two paper cups (you can also use plastic)

  2. Scotch tape

  3. Scissors

  4. Craft stick one

  5. Pencil

  6. Glue stick

  7. Two pieces of coloured paper (green and any other colour)

  8. Hot glue (optional)

Photos by the writer

Directions:

  1. Put the cup upside down on any coloured paper (other than green). Trace a circle around the rim with a pencil and cut it out; pictures 2 and 3.

  2. Take another paper cup and cut off the curved top part along with about one centimetre of the cup below it; see pictures 4 and 5. This trimmed cup will go inside the main cup later.

  3. Cut a cup-wrap shape from green paper. Then cover the outside of the main cup with a glue stick; pictures 6 and 7.

  4. Make a small slit at the bottom of the cup, with scissors or a paper cutter, just big enough for a craft stick to slide in easily; pictures 8 and 9.

  5. On the craft stick, measure about one inch from one end, flatten the curved sides and paste the flattened part down one inch from one side of the remaining stick; see pictures 10 and 11.

  6. Carefully push the smaller end of the stick into the slit at the bottom of the cup, leaving the longer part of the stick outside; see picture 12.

  7. Now insert the smaller cut cup (the one we trimmed earlier) inside the main cup; picture 13.

  8. Take the circle you cut from the coloured paper in step 1, place it on top of your dustbin as a lid and tape it on from one side with scotch tape. When you press the stick outside, the inner cup lifts upward and the lid opens just like the real dustbins; see picture 14.

Isn’t it amazing and cute DIY?

The writer can be contacted at ithecraftman@gmail.com

Published in Dawn, Young World, December 6th, 2025



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Story time : The veiled robber – Newspaper

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Illustration by Aamnah Arshad

My school had taken us to the State Bank Museum as part of its educational field trip programme. I was on cloud nine, as I had a keen interest in finance and how the commerce and banking system operate. My friends had brought snacks for the trip and we enjoyed them along with constant giggles and commotion. The view was mesmerising as we passed the beach, watching the waves seamlessly crash into the sand.

As we reached our destination, my eyes immediately locked onto the massive building. It was a fine piece of stone and brick, with the marble shimmering in the distance. I noticed the lead used for the windows and the concrete shaping the entrance. According to the guide, the materials used in designing and building this colossal structure had been imported from England and Italy decades ago and had been well preserved ever since.

The air conditioner’s cool air greeted us as we entered the museum’s premises. The guide showed us a presentation about money and how it had evolved over the decades. After that, we were escorted to a room with large paintings.

They resembled Roman mosaics and contained a great deal of colour and detail. I learnt that the paintings explained how commerce worked in ancient times through barter trading and then gold. Agriculture was also visible in the paintings, highlighting its significance, and then modern-day banknotes and vaults were also depicted. We looked at a few other paintings, but quickly began to feel listless, as did the others; only a true artist could comprehend and appreciate the effort put into them, which we were not.

Moving on, we entered a room filled with glass cases. They contained numerous coins of various colours and sizes. Different figures were engraved on them and they looked fascinating. Alongside them were ancient forms of money, such as seashells, miniature clay tablets and so on.

“These are ancient relics spanning from the kingdoms in India, such as the Guptas and Dravidians, to the Muslim and Mongol empires,” explained the guide.

I scanned the cases, pondering how each ruler was so eager to have their face minted on the coins of their kingdoms. I came across old banknotes as well, dating back to the time the British ruled India. The banknotes had pictures of King George of England on them and I felt as if I had teleported back in time, especially since the interior of the museum also resembled a British building from the post–World War II era.

The guide then led us to a hall decorated with stamps and posters collected over the past century. Looking at posters and stamps doesn’t really float my boat, so I slipped out of the crowd.

Suddenly, something peculiar caught my attention. Bizarre sounds were echoing from a room and curiosity gripped me. I made my way towards it. A person was inside, their face obscured by a veil. I was puzzled as to whether the figure was male or female, but I was determined to uncover their identity. Just then, I couldn’t control myself and sneezed.

The figure spun around and noticed me. I held my composure, keeping my eyes locked on the mysterious person, and spotted a rope within my reach. My heart began racing, yet I steadied myself and flung the rope at the individual’s feet, causing them to trip. The veil came off and, dumbfounded, I scratched my head briefly.

It was Elvis Presley standing there, staring at me!

“That man died decades ago… so how could he be right before my eyes?” I wondered.

Immediately, I smelt rubber and understood what had transpired. Without thinking twice, I yanked at his face. He resisted, but due to my dogged persistence, he had nowhere to run.

After relentless effort, I managed to pull the mask off and before me stood the manager of the bank. My jaw dropped.

My school teachers and students, along with the security, had gathered as I had caused quite a commotion. The manager was arrested on the spot and after a few inquiries, the police informed our school that he had been after the ancient relics. He had calculated their approximate worth ever since he assumed office. The value ran into the billions, and he was planning to steal it all under the guise of being manager.

The security forces and museum staff thanked me, and my school was notified that the executive board, as well as I, had been invited to the capital for a state dinner celebrating this remarkable achievement. I was to be awarded a medal and recognised as a national hero.

Published in Dawn, Young World, December 6th, 2025



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Story time : Finding your tribe! – Newspaper

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“Guys, wait for me!” I called to my friends as I was packing my bag.

They didn’t seem to want to wait and just kept walking. I caught up with them, but they looked pretty miffed about me buzzing around them. They finally heaved a sigh of relief when I headed towards another door, as we went through different gates, me to the van area and they to the car parking.

We were a group of five, that perfect gang that was fit to be on a drama cast. We had the innocent Mishal, the sassy Bismah, the fashionista Rumaissa, the quiet Aliza and, of course, the high scorer (I’m only admitting this for a good intro), me. We had been together since day one of this year. But now, they were ignoring me.

Okay, so a little fact about me: I’ve always been ready to please people, ready to adjust. I make friends with everyone, though I kind of prefer if they are a bit like me.

Being totally unaware of why I was being ignored, I started guessing the reason. Obviously, I thought it was because I always wore desi clothes while hoodies and T-shirts made up most of their wardrobe. I assumed it was because I was a bit behind on trends. So, determined to change things back to normal, I decided to show that I was hurt.

I started getting quieter in class, more distant. I don’t know how I actually looked, but I might have done a great job; my classmates were asking what was wrong. But my friends weren’t. They were too busy in their own lives. All except Bismah, though. She always made me feel like I mattered.

It was just an ordinary science class when the teacher asked us to divide into groups of four for a project. The marks would be added to the final exams, so, for once, our class was taking it seriously.

“Hey, let’s do it together,” Bismah whispered. I nodded fervently. “Though we need two more members…” she trailed off.

“You can ask Mishal and Aliza,” I offered. I seriously thought that would do the trick. And it did.

We worked hard for a week, our WhatsApp chats flooded with ideas and documents. We actually got a pretty good grade, and I thought everything was back to normal, that we were travelling back to Friendshipville.

But the second we walked out of the classroom, they forgot I was there. Only Bismah stayed by my side. It was tempting to wave my arms and say, “Hello? You guys know I exist or was I only real for doing hard work so you could get a good grade?!”

But I didn’t say anything. I never do. I was officially replaced in my gang by Zunaira, Amira and Hannah. I just went into a loop of endless confusion and sprained trust.

It was just luck that one day, when our teacher shuffled our seats, I got a seat next to Zara, Maryam and Friha.

Zara was the cricket expert, like seriously, The Cricket Expert. She could hit ten sixes in a row and won us every match against other classes. Maryam was the music fan, the one who is a bit annoying and sarcastic, but a very good friend. Friha was the class buddy, always checking in with everyone and providing emotional support.

They had always supported me. Once, I was hesitant about talking about a particular thing because I thought people would think I was weird or cringe. Maryam and Friha had towered above me (even though I’m taller than both of them).

“Seriously, Fatimah, stop worrying who will think what,” Maryam said.

“Life’s too short to worry. What has to happen, has to happen,” Friha added, grinning.

Zara, as usual, was ready to distract my mind with a cricket bat in her hand.

They always stayed by me, never letting me feel alone in a crowd. They always made sure they had an endless supply of humour and comebacks for me. I was very hesitant about playing sports, but one day after a random game of throwball with them, I got so much encouragement.

“You should play a whole lot more, maybe even consider entering school matches,” Zara had said.

“Maybe… I don’t know. I just like playing with you guys. Thanks, though,” I had replied, grinning.

I always felt scared about setting boundaries with other people. But my new friends had already asked to set some rules. They made sure I wasn’t hiding anything that was bothering me.

I tried my best to be there for them as well. I remember that during the class party, Maryam had been freaking out because a girl in another class had worn the exact same dress as her.

“Please, relax,” I had hissed while she muttered about being accused of copying. “She has a different print on hers. No one has time to notice.”

I still talked to my old group, smiled at them and stayed friendly, especially with Bismah, who I still text, because I hadn’t really left them. I had just let them be more complete without me, more perfect without me. And honestly, I agree. They seem better off without me.

Sometimes there are places where you fit, but there are places where you fit even better. Sometimes it’s hard to let go, but sometimes, you have to.

I did, and now, when I see Mishal, Rumaissa, Bismah, Aliza, Zunaira, Amira and Hannah goofing around, I realise I not only found new friends, but I also let them be themselves more freely without me there, accidentally ruining their vibe.

I get it, it’s hard. But once you do it, chances are you’ll cherish your decision.

Stop running after people, stop depending on them.

See the people who trust you, who make you feel you have a place in their hearts.

Because they, I must say, might be the ones who are truly yours.

Published in Dawn, Young World, December 6th, 2025



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