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Apple’s “Designed For Every Student” Shows How Accessibility Supports Independence

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A Defining Moment in High School

I felt something unexpected while watching Apple’s new “Designed for Every Student” film. It touched a nerve that has stayed with me since high school. Back then, I wore analog hearing aids, and the Special Education department treated me like a problem to be managed rather than a young man trying to become himself. After ten years of speech therapy, they called an emergency meeting to insist that I continue. I had reached my limit. I told them I was done. I would not sit through another session, and I would not let others dictate how I should navigate the world. My mother sat beside me, listened to both sides, and said the words that changed everything. “This is Billy’s decision, and I support him.”

That day became my first act of independence. I was a teenager trying to understand who I was and who I wanted to become. Bob Dylan’s “The Times They Are A-changin’” captured precisely what I felt in that moment. The song calls on adults to stop resisting what they do not understand and to recognize that young people are finding their own paths. If you cannot support that growth, step aside and allow them to move forward. Years later, when I shared this moment on Jay Moon Fields’s “Hey, Wait” podcast, I realized how much that decision shaped the person I became.

When the Music Brings the Past Back

The music in Apple’s film brought that memory back. The song carries a message about showing up as you are and trusting the path you are building. It celebrates the everyday parts of college life that help students discover who they are: studying late, walking across campus with friends, and trying something new because you want to see what might come next. The tone reminds students that they belong in every space they enter and that they have the tools to shape their own experience. Hearing it felt like the encouragement I needed at fifteen. A reminder that you can trust yourself and define your life on your terms.

The song also repeats an idea that stayed with me. A line in the lyric says, “I am not remarkable,” meaning I am just like you. Do not treat me as fragile, and do not elevate me as a hero for navigating the world with challenges I never asked for. That line speaks to something many of us feel but rarely voice. We do not want to be defined by struggle or framed as inspiration. We want to belong without being placed on a separate track. We want to move through the world as ourselves, not as exceptions.

Students Who Belong Everywhere

The film brings that spirit to life through students who use accessibility features across the Apple ecosystem. They move across campus, learn new skills, communicate, socialize, and imagine what their future might look like. These students are not framed as exceptions. They are framed as full participants in campus life, supported by tools that meet them where they are.

One of the most meaningful decisions in the film is that Apple does not present these features as accommodations. They are simply part of daily life. Tools like VoiceOver, Magnifier on Mac, Braille Access, AssistiveTouch on Apple Watch, and Live Captions appear as natural extensions of how students read, move, communicate, and participate. These features do not define anyone. They allow students to participate fully and confidently.

For anyone who grew up in a time when support often meant being pulled out of class, this shift feels meaningful. Independence does not come from being placed in a program you never wanted. It comes from having the right tools built in from the beginning. Tools that support the life you choose to live. Tools that let you learn, socialize, commute, collaborate, and explore without asking for permission.

Four Decades of Apple’s Commitment

This year also marks forty years of Apple’s work in accessibility. That longevity matters. It is the difference between a marketing message and a design philosophy that has shaped products for generations.

Students today also have real choice in the tools they use. Apple’s accessibility platform opens the door to an entire ecosystem of third-party solutions that build on what Apple provides. Screen readers, hearing devices, mobility tools, communication apps, specialized learning aids, and physical apparatus such as adaptive grips, mounts, switchers, and prostheses all integrate with the devices students already rely on. This choice matters. It allows each student to build a toolkit that reflects their needs and their identity, not someone else’s assumptions. Innovation in accessibility comes from a community of developers, educators, designers, and students shaping what independence looks like today.

The Real Meaning of Progress

The film stands out because it shows the students as creators of their own futures. Director Kim Gehrig and composer Tim Minchin have shaped a piece that centers on ownership. These students do not appear grateful for access. They appear confident and expressive. They move through campus with intent and energy. This matters. It shifts the narrative from ‘being helped’ to ‘being empowered’. That distinction elevates the film beyond marketing.

This film also reflects something broader happening in higher education. Colleges are being asked to rethink what student support looks like in real life, not just on paper. Significant buildings and ambitious strategies do not guarantee that students feel included or respected. What matters is whether students can fully participate in the everyday rhythm of campus life and build confidence through relationships, academic challenges, and big dream conversations that point toward a future they have not yet imagined.

The message is simple. Students thrive when they can control how they learn, communicate, and participate in campus life. When tools are integrated and intuitive, they remove the quiet barriers that often go unnoticed. They support independence rather than managing differences.

Watching this film, I saw the teenager I once was. I saw the moment my mother stood up for me. I saw a young person trying to claim ownership of his life in a world that did not always know how to make space for him. And I saw a generation of students who now have something I never had at that age. Tools that respect them. Tools that meet them. Tools that let them walk across campus with their head up and their identity intact.

Progress is not measured only by new features or new devices. It is measured by whether people feel seen, supported, and respected. Today’s students have powerful tools that help them take ownership of their lives with pride. They are discovering who they are and what is possible for them. They are building futures that reflect their strengths, not their limits. And when I watch this film, I feel something I wish I had felt at their age. I feel hopeful. The video is about dignity and respect.



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Galaxy TriFold Revealed, OnePlus 15’s American Adventure, Pixel 10a Pricing

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Taking a look back at this week’s news and headlines across the Android world, including the Galaxy Z TriFold arrives, Galaxy S26 Ultra specs, the new Exynos promise, Pixel 10a pricing, Nubia Fold details, OnePlus 15 heads to America, and Google’s QPR2 source code released.

Android Circuit is here to remind you of a few of the many discussions around Android in the last seven days. You can also read my weekly digest of Apple news here on Forbes.

The Galaxy’s Number Is Now Three

Samsung has launched the highly anticipated Galaxy Z TriFold, a foldable device with three screen elements and two hinges to offer a pocketable phone and a tablet screen that is significantly less square than other foldable devices in the South Korean company’s portfolio. It’s a technical marvel, but it may not be the best seller some in the community are looking for:

“It will be available more widely, but no date has yet been attached. “Samsung Electronics will launch the ‘Galaxy Z Trifold’ in Korea on the 12th and then launch it sequentially to global markets such as China, Taiwan, Singapore, the United Arab Emirates, and the United States,” Samsung said in a newsroom post. No exact date yet, then, though I’d be astonished if it was before 2026.”

The Galaxy S26 Comparison

What will be a best seller, all being well, will be the Galaxy S26 family. With specifications widely available, albeit unconfirmed by Samsung, it’s possible to compare the upcoming S26 devices with the current S25 models. As the flagship, the Galaxy 26 Ultra has the most scrutiny:

“Samsung is switching to a new 6.9-inch M14 AMOLED panel, although it probably will not get much brighter. European users will likely only get 12GB RAM, compared with 16GB in other regions such as China. At least Samsung fans around the world will probably get to enjoy the Snapdragon 8 Elite Gen 5 instead of the Exynos 2600.”

Here Comes The Exynos

Samsung has confirmed its flagship Exynos 2600 chipset. This will draw direct comparison to Qualcomm’s Snapdragon 8 Elite 5 chipset, which is currently debuting in premium handsets across the Android space. The Samsung community has generally preferred Snapdragon over Exynos, at least on the top-tier Galaxy Ultra handsets. The S26 Ultra is still expected to ship in the first quarter of 2026 with a Snapdragon chipset, but Exynos could dominate the other handsets in the S26 family. Sammobile’s Asif Shak has more:

“A teaser video of the Exynos 2600 was just published by Samsung on its YouTube channel. In the video, the company says, “In silence, we listened,” hinting at controversies around performance and overheating issues associated with some previous Exynos chips. It is the South Korean firm’s indirect way of saying it understands the criticism around its chips and that it intends to improve upon their shortcomings.”

The Pixel 10a Price Conundrum

Google’s next smartphone is expected to be the Pixel 10a, which will bring the latest AI-focused hardware and smartphone technology to the mid-range. It’s expected to remain at $499, but there are still questions that need to be addressed.I took a closer look at these earlier this week.

“A more interesting question on the price will be around the pricing in the Google Store. The Pixel 9a has been discounted by $100 in the US store for a long time before the Pixel Black Friday offers. There’s every chance that the discount stays in place for Christmas. Will this forever discount carry on into the new year? What happens when the Pixel 10a arrives? Does the Pixel 9a remain discounted, and does the Pixel 10a lock in at $499 for the summer? Or does the continued use of older silicon see the 9a quietly removed from the portfolio, leaving the Pixel 10a as he sole ‘A-class’ on sale as a new handset?”

Nubia Fold Details Published

The first folding smartphone from Nubia has been confirmed by Japanese network Y!mobile. The Nubia Fold has appeared on its website, with a list price of 178,560 yen ($1,145). Given the specs, this is a very competitive offer, especially if this Fold gets a global release. GSM Arena has collected the specs, including the all-important display.

“The nubia Fold features an 8-inch main display with 2,480 x 2,200px resolution and a 6.5-inch cover screen with 2,748 x 1,172px resolution. Both panels offer 120Hz refresh rates, and the main panel supports split view modes for certain apps…

America Is Ready For The OnePlus 15

Following its global release, those looking for the OnePlus 15 in the United States were left in limbo. Without FCC certification, the device cannot go on sale, and with the government shutdown, no certification could be issued. Well, that hurdle has now passed. As GSMArena notes, the FCC is back in business, the certification has been issued, and the OnePlus 15’s US adventure is set to continue.

And Finally…

Google has released the source code for its latest Android update, feeding it back into the open-source community. Given the two-month delay in the release of Android 16’s QPR1, the community is taking the almost immediate release of QPR2 as a positive sign.

“Given that context, some developers worried Google might repeat that strategy and withhold Android 16 QPR2’s source code for an unspecified time. Thankfully, that hasn’t happened. Google started uploading Android 16 QPR2’s source code almost immediately after releasing the update. This suggests the previous delay was indeed tied to the mid-cycle Pixel Drop, and that today’s update — while not officially labeled a Pixel Drop — is one in all but name.

Android Circuit rounds up the news from the Android world every weekend here on Forbes. Don’t forget to follow me so you don’t miss any coverage in the future, and of course, read the sister column in Apple Loop! Last week’s Android Circuit can be found here, and if you have any news and links you’d like to see featured in Android Circuit, get in touch!



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iPhone 17 Pro Display Issues, Apple’s Satellite Upgrades, Four New MacBook Pro Models

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Taking a look back at this week’s news and headlines from across the Apple world, including iPhone 17 Pro, iPhone 17 sales success, balancing iOS 18 and iOS 26, four new MacBooks, Apple Satellite upgrades, moving to Meta, and the Christmas Tree lights are turned on.

Apple Loop is here to remind you of a few of the many discussions around Apple in the last seven days. You can also read my weekly digest of Android news here on Forbes.

An iPhone 17 Pro Display Warning

Apple’s new cover on the iPhone 17 Pro and 17 Pro Max displays has increased the protection on offer. Ceramic Shield 2 also increases scratch resistance and reduces reflections. Yet its interaction with some screen protectors reduces the anti-reflection technology, which requires direct contact with air. An iPhone 17 study by Astropad has taken a closer look at the impact of a screen protector. Forbes contributor David Phelan looks at the options you have:

“[the report] goes on to say that some screen protectors, when placed on top of Ceramic Shield 2, doubled the amount of reflectivity on the display. An anti-reflective coating is desirable, so this result is not.

“The study promotes Astropad’s Fresh Coat solution as a way or reducing reflectivity, though you could argue that it might be an even better solution to not put any protector on at all, if Apple’s claims of less scratchability prove correct — and they haven’t been widely disproved yet”

Apple Reaps iPhone 17 Rewards

The success of the iPhone 17 in global markets is having a positive effect on the iPhone market. New research from IDC suggests that Apple is on course to grow sales by more than six percent, in large part due to the vanilla iPhone’s adoption by the Chinese market. Juli Clover takes a closer look at the numbers:

“Total 2025 shipments are forecast to grow 6.1 percent year over year due to iPhone 17 demand and increased sales in China, a major market for Apple. Overall worldwide smartphone shipments across Android and iOS are forecast to grow 1.5 percent, primarily because of the success of the iPhone.”

The Balance Between iOS 18 and iOS 26

Since the launch of the iPhone 17 and iOS 26, Apple has been supporting iOS 18 for older incompatible iPhones and for users who are not yet ready — for whatever reason — to upgrade their phones. While the updated versions of iOS 18 are still available, the UI has been reconfigured to highlight iOS 26 and minimze the visibility of iOS 18.

“…the iPhone’s Software Update screen now features iOS 26.1 prominently, while iOS 18.7.2 has been demoted to ‘alternate version’ status. Users may now see a badge on the Settings app indicating the new update is available, but it won’t be installed without direct user action. For major OS upgrades, users need to manually install the new version even when they have ‘Automatic updates’ turned on.:

Three New MacBooks Before One Big Boss

This week saw a rush of details around Apple’s plans for the MacBook. While the M5 chipset has made a soft debut, 2026 should see more variants going on sale throughout the year. These will include a low-cost MacBook that will likely compete with Chromebooks, an update to the MacBook Air and the introduction of an M5 Pro MacBook Pro model. As for the fourth model…

“The biggest update arrives later in the year. Both Kuo and Gurman say Apple is working on a redesigned MacBook Pro with M6 chips and OLED displays. These machines are expected to bring some of the most dramatic changes in years, including …OLED panels with deeper blacks, higher contrast, and better power efficiency …Touch-screen support while keeping the full keyboard and trackpad.”

The Benfits And Cost Of Apple Satellite

Bloomberg’s Mark Gurman has revealed Apple’s plans for satellite connectivity, including navigation in Apple Maps, support for sending photos in Messages, and an API to allow developers to offer satellite connectivity. The question now is who pays for the services?

“Today, Apple’s satellite connectivity features are available for free. For more advanced capabilities in the future, Apple reportedly plans to let customers pay satellite carriers for features directly. Apple could also create a paid option for extended connectivity with a company like SpaceX. Gurman added that there have been discussions in the company about offering its own satellite service, but concerns that Apple shouldn’t act like a carrier have stifled that possibility.”

Apple To Meta Moves

One of Apple’s longest-tenured executives is leaving the company to join Meta. Alan Dye has been the head of Apple’s user interface design team for ten years. Meta’s move is seen as a precursor to designing and releasing new hardware, and will start work as Chief Design Officer on Dec. 31. Apple confirmed the move in a statement provided to Bloomberg News:

“Steve Lemay has played a key role in the design of every major Apple interface since 1999,” Chief Executive Officer Tim Cook said in the statement. “He has always set an extraordinarily high bar for excellence and embodies Apple’s culture of collaboration and creativity.”

And Finally…

The annual Christmas Tree reveal at Apple’s offices in Battersea, South London. Previously, Apple turned to noted designers and artists. This year twenty-four designs by the public are in rotation until Christmas Eve:

“Apple’s annual holiday projections go live at 5 p.m. U.K. time on Thursday, Dec. 4. These projections light up the 330-feet chimneys and washtowers of the Battersea Power Station in south London, Apple’s U.K. HQ. This year, for the first time, members of the public could submit their designs: Apple has just revealed the winners, and they look great.””

Apple Loop brings you seven days worth of highlights every weekend here on Forbes. Don’t forget to follow me so you don’t miss any coverage in the future. Last week’s Apple Loop can be read here, or this week’s edition of Loop’s sister column, Android Circuit, is also available on Forbes.



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Antigravity A1 Is A New Drone With New Tricks

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Over the past two years DJI and Insta360 — two tech giants which have respectively dominated the drone and 360 camera field — have increasingly ventured into the other brand’s territory. After years of making similar performing smartphone gimbals and small action cameras, DJI launched its first ever 360 camera a couple months ago, and now Insta360 is introducing a drone under its new sub-brand Antigravity.

The A1 weighs 249g, just under the 250g standard set by many countries that would require registration. This means you can bring this drone into countries and fly it without hassle. In fact, during my testing period I brought the A1 to Vietnam, Thailand, Hong Kong and Indonesia without being stopped at the airport. While the Antigravity A1 may look like a typical DJI consumer drone at first glance, it has a fundamentally different approach to documenting the skies, which also alters how the pilot controls the drone. This is a good thing, because DJI’s consumer drones are already near flawless, so Antigravity’s new drone going in a new direction is a fresh take.

The A1 differs from any other drone on the market because it shoots 360-degree videos, just like parent company Insta360’s X series of cameras. In fact, the lens on the A1 are almost the same as the lens on the Insta360 X5: a pair of 1/1.28-inch lenses that each shoot 180-degree field-of-view videos, and with some clever software stitching, the two footage produces a single 360-degree video that covers the entire canvas.

Once the A1 is in the air, the pilot will be able to see an entire 360-degree view of the sky from the headset, which resembles a VR headset or Apple Vision Pro.

Piloting the drone is done via a remote control made up of various dials, buttons and triggers, and is designed to be operated with one hand. The user can navigate the drone using the dials on the controller, or simply by moving and pointing the remote controller, as it has a built-in gyroscope. So in other words, if you want to turn left, you can either rotate the dial left, or simply point the controller left.

The footage captured by the drone is in 8k resolution, but you have to remember this is 8k resolution spread across an entire 360-degree canvas, so footage looks clean, but not “razor sharp” like an 8K television footage would look. When the drone is airborne, the goggles show me the entire 360 view, and I have to either move my head, or spin the drone, to see my entire surroundings. I can also look up and down. The experience feels like an immersive VR video, but showing me real-time footage from the drone.

As someone who’s afraid of heights, the first time I looked down from the drone’s perspective gave me a scare, because it looked and felt so real.

You can see actual video footage from the drone in the video below. You can see the experience can be quite immersive.

A major advantage of having a 360 camera instead of the conventional regular camera on a DJI drone is that the A1 captures everything in one go, so you don’t have to worry about framing, or missing a scene. For example, if I am shooting a skateboarder or a mountain biker with a DJI drone, I may have to do a retake if the first flight didn’t frame and capture the person correctly. Maybe I flew the drone too low and the framing cropped off part of the subject’s face, or maybe the drone was too high and didn’t record the landing. But with the A1, since it captures everything, there would be no such worries.

Of course, one disadvantage of the A1 is that a 360 camera has so many pixels to cover that videos aren’t going to be quite as sharp as a dedicated conventional camera with a narrower field-of-view.

The Antigravity A1, being a flagship drone with excellent 360 cameras, doesn’t come cheap. The cheapest option is the standard bundle which retails for $1,600, and there are higher tier bundles (with more accessories) that go for around $1,700 or $1,800. But this is the price of premium flagship drones, and at least the A1 can claim to be able to capture footage no other drone can do.



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