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KARACHI’S YOUTH AND THE SEARCH FOR CULTURE

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For the past several years, I have been out of touch with Karachi’s evolution due to health issues. I have not been able to wander around as I used to. Yet, I gather what has been taking place from the people who visit me, from newspapers, and from what one can see through the windshield of a car.

A lot has changed, and it is important to talk about it — both the good and the bad.

NEW SPACES

Some very important institutions have been added to the city, such as The Dawood Foundation MagnifiScience Centre, which is a beautiful science museum that people of almost any age can relate to. School children especially need to visit it, as it can help them better understand the scientific phenomena that govern our lives.

The location of the centre is also important. It is a warehouse in the Railway Quarters in the historic city of Karachi. Around it, there are many abandoned railway warehouses. Hopefully, they will also be used as public spaces for other museums, auditoriums and for the performing arts.

The same organisation has also gifted one of its properties, TDF Ghar, to the Government of Sindh. It is an old building that has been beautifully conserved. The space is now used for mushairas, exhibitions, concerts and lectures. From its rooftop, visitors can take photographs with the Mazar-i-Quaid in the background.

New museums, revived public spaces, and growing youth participation in and engagement with the arts are reshaping Karachi’s cultural landscape. Yet, this emerging energy exists alongside deep urban inequalities, anti-poor policies, and problems of infrastructure that continue to define the city

An important change has also taken place at Frere Hall. Its library is now open to the public after years of closure. It has been cleaned, and members of the public visit regularly, although the books still need proper dusting. A conservation process is ongoing, and what has been completed so far is encouraging.

  A Faisal Kapadia concert at the Arts Council Karachi in 2025 | Arts Council Karachi
A Faisal Kapadia concert at the Arts Council Karachi in 2025 | Arts Council Karachi

The Frere Hall gardens host gatherings such as the Aurat March, the Minority March and the Flower Show, as well as other social events. In one corner of the garden, there is a small eating place called Kavita Didi’s Eat Express, a dhaba serving South Indian food, which has become very popular.

Some elites in Karachi were concerned about the condition of Frere Hall and tried to protect the area by building ‘beautiful’ walls and gates around it as part of a conservation plan. However, there was strong public pressure against this plan, and the project could not continue. Later, the Karachi Metropolitan Corporation (KMC) again attempted to install gates, but citizens challenged the decision in court. The court rejected the proposal, arguing that restricting access would affect public events held at Frere Hall and deny the public the use of an important public space.

PEDESTRIANISATION AND RESTORATION

The idea of pedestrianised zones has also taken root among Karachi’s planners and local politicians. Frere Road was pedestrianised earlier this year and became very popular with citizens, including the working and lower-middle classes.

From the press, it appears that there are plans to pedestrianise the Saddar area during the Eid holidays. Pedestrianisation brings together different classes of Karachi and various types of food, as well as different ways of serving them.

Several conservation programmes for heritage buildings have also taken place, such as at the 1926 Hasan Ali Hothi Market, where shop owners have been removed and have lost their livelihood. This is bad conservation, as it has adversely affected the shop owners. It is unclear where they went.

In the old town, the 1886 Denso Hall has also been conserved and is once again functioning as a library, as it was originally intended. The space and street in front of Denso Hall have been pedestrianised, which is a positive idea; however, shopkeepers and hawkers were removed from these spaces and lost their livelihood. They are angry and planning to return, as they feel they have not benefitted from the change.

Meanwhile, the 1906 Khaliq Dina Hall is now used for events, and a non-governmental organisation (NGO) has restored its library after a long period of closure. Bazaar organisations around Khaliq Dina Hall believe they should be allowed to use the space for meetings and events, since they are its immediate neighbours.

SOCIAL SHIFTS

 Tehrik-i-Niswan’s Tlism dance, music and theatre festival | Reuters
Tehrik-i-Niswan’s Tlism dance, music and theatre festival | Reuters

Another social shift is that many second- and third-generation post-Partition Karachiites are moving abroad. In the process, family libraries and personal archives are often left behind or discarded.

In an increasing number of cases, this generation is trying to find a public home for these archives. This is creating valuable historical documents for the city of Karachi, and universities and civic agencies need to nurture the creation of proper archives for this material.

Another important institution is the Lyari Girls Café, established in 2017 to support women’s ‘empowerment’. It offers computer training, boxing, cycling, English language classes and other sports training. Its members are in growing demand as sports trainers for schools and women’s NGOs. The Lyari women (and girls) are at the forefront of the process of emancipation of low-income groups. One of the reasons for this is that Lyari has about a 200-year urban history and has no rural baggage to carry on its shoulders.

Citizens have also responded to the challenges of climate change. Instead of distributing shields at events, many NGOs and government organisations now present saplings. Several urban forests have been developed. The Karachi Metropolitan Corporation (KMC) has created Kidney Hill Park, covering 62 acres.

On September 27, 2025, the Mangrove Diversity Park opened, featuring a timber walkway leading to the creek, with eating and sitting spaces surrounded by water. It is an important addition to Karachi’s recreational facilities and is already attracting many visitors. The Clifton Beach Urban Forest and the Clifton Urban Forest Block 5 are already in existence.

Sports have also been revived in Sindh. The Pakistan National Games were held in Karachi after an 18-year hiatus. Athletes from across Pakistan participated with enthusiasm, and there was a noticeable increase in women’s participation, compared to previous games.

Different groups and the KMC have also organised several marathons, including a 42-kilometre marathon. There have also been marathons dedicated to different causes, along with road bicycle-racing events, in which both men and women participate.

PATRONISING THE ARTS

 Students engaging with the interactive displays at The Dawood Foundation MagnifiScience Centre | TDF MagnifiScience Centre
Students engaging with the interactive displays at The Dawood Foundation MagnifiScience Centre | TDF MagnifiScience Centre

In the past few months, a major change in Karachi has seen the active role of industrial houses and wealthy families in funding culture. They have shown real interest in establishing new museums, theatres and art galleries. This private funding has helped expand cultural spaces beyond government efforts and has strengthened the city’s arts infrastructure.

One of the important changes has been the increase in the number of people who now visit the Arts Council Karachi programmes. The increase is mostly of students and young people, which points to the desire for recreational entertainment and culture. This is in spite of the fact that the location of the Arts Council is difficult to access for most Karachiites who form the audience.

The International Urdu Conference is an important event that is held every year. It is probably the largest conference of its kind in the world. The number of scholars and poets is increasing over time. This is primarily due to the vision and work of Mohammad Ahmed Shah, the director of the Arts Council Karachi.

He has also added space to the Arts Council in the form of auditoriums and a library consisting of books donated by important citizens of the city. The library is beautifully catalogued and is used. Despite the spaces created by Ahmed Shah, there is an acute shortage of space for the performing arts and public gatherings.

There is a general consensus among the members of the audience and programme participants that the Expo Centre is a better location for attracting participants, as it is most central, closer to the main universities, colleges and high schools. This has been obvious from the book fairs held at Expo Centre, where there is hardly any space to move, not only because of the visitors but also because of the number of stalls put up by the exhibitors.

However, the ‘intellectuals’ of the city now increasingly live in localities such as Defence and Clifton, and they are culturally, socially and physically much nearer to the Arts Council space than to the Expo Centre.

Some organisations, such as Tehrik-i-Niswan, have expanded their work in the field of dance and music and political activism, and are in the process of creating a space owned by them for their performances and work. This will be their legacy for all times to come. Aurat March is another such movement, providing space for discussions and expression for women’s issues in the changing national and global scenario.

UNEQUAL ACCESS, NEW CONCERNS

 The Pink Bus service (pictured above) was launched to provide women with safer and more comfortable travel | White Star
The Pink Bus service (pictured above) was launched to provide women with safer and more comfortable travel | White Star

The private sector is also investing in large-scale entertainment and recreational projects for Karachi’s younger population. However, many of these facilities cater to the wealthy and elite classes. For social equity, recreational spaces should be accessible to both rich and poor citizens.

In the case of Creek Walk in Defence Society Phase 8, an attempt has been made to create a ‘European’ ambience with similar road signage, furniture, and food outlets. Lower-middle-income groups find it difficult to be a part of this because of the high cost of food and drinks that are available. The working class cannot be a part of this — it is too expensive. However, they do visit and roam around to enjoy the ambience, especially when they get their salaries at the beginning of the month.

Several affordable food outlets in public parks have been removed by order of the court, depriving the citizens of Karachi of reasons for visiting the parks with their families. As a result, visitors to the parks have decreased, or bring their own food with them. It was common that, after a long walk, people (especially couples) would sit together and have a cup of tea or a cold drink. Over time, new friendships would be formed, not only between individuals but also between families.

Some important parks, such as the Aladdin Park, were very popular among the lower-middle and working class and have also been demolished by order of the court; nothing has replaced them. This has been a great loss to a city where open spaces for recreation are simply not available.

The government has invested heavily in the renovation of the Karachi Zoo in recent years. However, there continue to be public concerns regarding the health and welfare of animals, especially after past incidents involving a number of deaths of animals due to inappropriate treatment regarding food and other elements of healthcare. Renovation alone is not enough; proper animal care and management are equally important. Karachi has a long way to go to achieve this.

Tree conservation has also become part of heritage discussions. Activist and architect Marvi Mazhar has highlighted the importance of protecting old trees as part of Karachi’s environmental and historical identity. A number of old trees have been designated as heritage, and awareness about urban greenery and climate responsibility has also increased.

PROBLEMS OF INFRASTRUCTURE AND JUSTICE

 Houses being bulldozed along the Gujjar Nullah in 2021 | White Star
Houses being bulldozed along the Gujjar Nullah in 2021 | White Star

The increase in cultural activity conflicts very much with the state of Karachi’s infrastructure and the treatment of its working-class settlements by Karachi’s politicians, because of their nexus with the city’s elite and bureaucracy.

Karachi’s flooding during rains has been blamed on the construction of homes along Karachi’s natural drainage system. To solve this problem, federal and provincial agencies collaborated to remove houses built along three major Karachi nullahs. In the process, over 7,500 families were made homeless by bulldozing their homes along the Orangi, Mehmoodabad, and Gujjar nullahs.

Their struggle for justice took them to the court of law, which ordered that they should be compensated with land and money. The compensation cost was also worked out. This order was passed on June 14, 2021. But no action has been taken by the court against non-compliance of its order.

Meanwhile, in the areas where bulldozing has taken place, the width of peripheral roads has been increased, thus opening up the area for real estate development, at the cost of the poor. But in spite of this, the areas where bulldozing has taken place continue to flood, justifying the demolition of additional homes.

In the future, these demolitions must not occur until or unless the residents are provided with proper land and property. The government should work on the root cause of the flooding, which is the failure of outfalls to cater to the volume of water that destroys the city every year. A permanent solution for this problem has to be found. Many solutions have been proposed but have not been tested at the pilot level. Increasing the volume of rainfall water through the outfalls also required the demolition of certain homes in Karachi’s posh colonies. This should be done in the same manner as in the low-income settlements.

Transport has been one of the biggest problems in Karachi for many years. Public buses were old, overcrowded, and poorly managed, which made daily travel difficult for students, workers, and families. In recent years, the government has tried to improve this situation through different bus projects. The Karachi Green Line Bus Rapid Transit (BRT) introduced air-conditioned buses with better seating and cleaner stations. The Pink Bus service was launched especially for women to provide safer and more comfortable travel.

The Red Line BRT is another major project under construction. These buses are modern and, if properly maintained, can remain useful for many years. The government is also introducing electric buses to reduce carbon emissions and lower the city’s environmental impact.

The BRT system in the form of the Green Line has brought considerable relief to people living along its corridors. Travel time has reduced, and the comfort level is much higher than that of older buses. However, maintenance is a serious concern. If regular repairs and proper management are not ensured, the buses can quickly become damaged and lose their quality.

Karachi has seen this happen before with public transport systems that started well but later declined due to poor upkeep.

Residents are very concerned that government projects are not completed on time and that the delays can last for years. This means cost overruns, which eventually the city will have to bear. One such example is the Red Line BRT. Work on that project has resulted in its entire corridor being dug up and the area being smothered by dust. Residents complain of high levels of congestion, asthma, and related breathing troubles. Conditions have become so bad that residents and travellers say that they would have been better off without the project.

GEN Z, GEN ALPHA AND KARACHI

 A protest against the construction of a gate and fence around Frere Hall in 2022 | White Star
A protest against the construction of a gate and fence around Frere Hall in 2022 | White Star

Several conclusions can be drawn from these developments.

One important change is that Karachi’s class structure and demography are shifting. A younger generation is becoming more interested in culture, history and public activities, and they are actively participating in entertainment and recreational events and trying to create them in a hostile, political and religious culture.

However, there are still very few spaces where they can perform. Open amphitheatres such as at Jahangir Park exist, but organising events there requires permissions from government authorities, which are often difficult to obtain.

A Government of Pakistan urbanisation report notes that, in every neighbourhood in Pakistan, there are young people who can perform traditional music and dance, both folk, vernacular rap, and hip/hop, and many of them are producing TikTok clips of high value, but they lack proper spaces to perform and develop their skills.

Also, there are almost no schools where young people can receive training in the playing of musical instruments and or any form of vocal singing, classical or otherwise. Many schools that did exist, especially in Karachi, were closed in the 1980s and 1990s and never resurfaced. Even the making of musical instruments of good quality has become very rare and it is becoming increasingly difficult to obtain them. Facilitating the revival of this rich musical and drama tradition should be a priority with the government.

This revival will create a new Pakistan. The establishment of the National Academy of Performing Arts (Napa), just one organisation in Karachi, has created an institute for the arts — drama, music, and theatre. Imagine what could happen if there were many Napas and space, physical and political, were available to them. Today, the state ideology frowns upon them, and powerful sections of society consider any such activity as a source of moral corruption.

Arif Hasan is an architect and urban planner.

He can be reached at arifhasan37@gmail.com and through the website www.arifhasan.org

Hamna Syed is a researcher who works in the office of Arif Hasan

Published in Dawn, EOS, March 29th, 2026



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LITBUZZ: ‘TELL US YOUR TRUTH’

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The Zeenat Haroon Rashid Writing Prize for Women calls for women writers to submit for its 2026 competition. The competition serves as a beacon of encouragement for Pakistani women writers both at home and in the diaspora, and carries a cash award of Rs100,000.

In 2026, the call for submissions is for NON-FICTION. Contestants are invited to submit entries in the form of a narrative, polemical or satirical essay, memoir, biography or travelogue on any subject or theme that uses Pakistan as a canvas or location and focuses on the country’s culture and society.

Entries open on April 1 and close on June 30. The competition is open to all women of Pakistani nationality or Pakistani heritage over the age of 18 and, as always, the judges will be looking for writing with a distinct voice.

This year the panel of judges once again features eminent figures in the literary landscape:

• Sanam Maher is a journalist from Karachi. Her book, A Woman Like Her: The Short Life of Qandeel Baloch (Bloomsbury 2019) was named one of the best books of the year by The New York Times and The New Yorker. Her work has appeared in Dawn, The New York Times, The Guardian, BBC and Al Jazeera, among other media. Since 2020, she has been a mentor for South Asia Speaks, a literary incubator for young writers in the region.

• Noreen Masud is an Associate Professor in English Literature at the University of Bristol, and an AHRC/BBC New Generation Thinker. Her memoir-travelogue, A Flat Place (Penguin 2023), was shortlisted for The Women’s Prize for Non-Fiction, The Sunday Times Charlotte Aitken Trust Young Writer of the Year Award, The Jhalak Prize, The RSL Ondaatje Prize and the Books Are My Bag Readers Awards.

• Sameer Rahim is a British novelist, critic and publisher with nearly two decades of experience in literary journalism. He has held editorial roles at publications including The London Review of Books, The Daily Telegraph, and Prospect magazine, and is currently publisher at The Bridge Street Press, a non-fiction imprint of Little, Brown (Hachette). Rahim has also served as a judge for several literary awards, including the Forward Prize for Poetry, the Orwell Prize for Political Writing, the Costa Poetry Award, and the 2020 Booker Prize. Rahim’s novel Asghar and Zahra (John Murray, 2019) received critical acclaim and was longlisted for the Desmond Elliott Prize.

Full details on how to enter and comprehensive competition rules can be found on the website

www.zhrwritingprize.com

For media enquiries please write to info@zhrwritingprize.com

Published in Dawn, Books & Authors, March 29th, 2026



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NON-FICTION: LANGUAGES WITHOUT BORDERS

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Zubaan Aur Tehzeeb
By Safdar Rasheed
Sang-e-Meel Publications
ISBN: 978-969-35-3716-1
311pp.

Zubaan Aur Tehzeeb [Language and Civilisation] is a recent book by Dr Safdar Rasheed, an author and researcher on language and culture, which is based on a series of discussions that Dr Rasheed held during his post-doctoral stay at Heidelberg University in Germany.

Instead of relying only on documents and archives when writing the book, he also spoke to European and South Asian scholars, teachers and writers on language, culture and education. Urdu, Hindi and Sanskrit are Dr Rasheed’s main interests, but there are dialogues in the book on Bengali, Tamil and Nepali as well. Through these, he explores these languages’ history, shared roots, conflicts and their links with religion and the nation. He also looks at their present condition.

One strength of the book is Dr Rasheed’s method of writing. He does not dominate the discussions. He simply asks questions and lets the other person speak freely. This makes the book more open and diverse in tone.

The first dialogue with Dr Anand Mishra, who became associated with Heidelberg University’s Department of Cultural and Religious History in 2009, concerns Sanskrit. It challenges the common view that Sanskrit was the language of only Brahmins. We learn that it once served as a “cosmopolitan” language across South Asia, written in various scripts and used in many regions. The discussion offers an overview of Sanskrit’s evolution, from an oral to a written tradition and traces it to South Asia’s oldest intellectual history.

Through a series of dialogues with scholars, a recent Urdu book examines language, identity and culture across South Asia and Europe

As an elite language Sanskrit was used by educated and scholarly groups for intellectual, religious and literary purposes. At the same time, it functioned as a lingua franca among people across different religions. So Dr Mishra says, people from the north of India could communicate with South Indians through Sanskrit. He also notes that much of South Asia’s ancient literature, including philosophical and scientific texts, is preserved in Sanskrit, making it one of the richest classical traditions in the world. Dr Mishra further explains that many modern South Asian languages emerged from, or were deeply influenced by, Sanskrit. Therefore, he describes them as tributaries of a larger linguistic river that is Sanskrit.

Finally, the discussion connects language to identity, culture and learning in the present day. Dr Mishra stresses that studying multiple languages helps uncover shared histories and encourages cultural exchange rather than division. Therefore, languages should not be seen as enemies.

The Urdu-Hindi conflict is not a conflict and shouldn’t be a matter of concern. The actual concern, he warns, is the English language and Americanisation, which is being spread in the name of so-called “globalisation”.

The most important dialogue in the context of today’s South Asia is with Dr Pankaj Prashar, associate professor of Hindi at Aligarh Muslim University. Here, the focus is on Urdu and Hindi and Dr Prashar’s main aim is to highlight the shared past of these two languages. Instead of stressing their differences, he emphasises their similarities. According to him, insisting too much on difference only feeds conflicts related to identity, which we already see taking place on both sides of the border, especially in India.

Dr Prashar argues that many Pakistanis hold mistaken views about India, which, he says, can only be corrected by learning more about the country and engaging directly with its people. He challenges the common belief that Urdu is neglected in India. Instead, more work on the language is being done there than in Pakistan, both today and historically. Urdu, he points out, continues to be recognised as a state language in parts of India.

Dr Prashar recalls that the first Urdu printing press was set up before Partition by a Hindu publisher, Munshi Nawal Kishore. He also points to the long tradition of Hindu writers and poets who contributed to Urdu literature, including Firaq Gorakhpuri (Raghupati Sahay), Jagan Nath Azad, Kali Das Gupta Raza, Rajinder Singh Bedi and Krishan Chander.

He further highlights the widespread use of Urdu in Hindi cinema, particularly in film songs. The author also praises the contributions of Sanjiv Saraf who, through the Rekhta Foundation that he founded, is serving Urdu on an international level.

He says that the Urdu-Hindi conflict is not a conflict and shouldn’t be a matter of concern. The actual concern, he warns, is the English language and Americanisation, which is being spread in the name of so-called “globalisation”.

English, he argues, is slowly taking over not only Urdu and Hindi but almost all South Asian languages. It appears to unite people but, in reality, it is pushing local languages to the side. This, he says, is a new kind of linguistic colonialism. It does not come with soldiers or flags, but with jobs, education, status and power.

He also says that this is not only a South Asian problem. In Europe, too, English is becoming dominant. Where there was once curiosity about different cultures, there is now a rush towards English because it means global access, jobs and mobility.

The book also connects this language shift to modern life, in which language has largely become a tool, not a ‘home’. People choose the language that gives them the most advantage, not the one that carries their memories or their histories.

Although Sanskit, Urdu and Hindi remain the main focus of the book, other dialogues discuss Nepali, Bengali and Tamil in South Asia and how they are taught in Europe, while others focus on language education in Europe, postdoctoral research systems, and the experiences of migrants.

The book is not a heavy theoretical work. And this is what makes it an accessible read for those who are interested in South Asian languages and their relationship with Europe. For students, teachers and general readers alike, it offers a calm but serious look at where our languages are going and what we might lose if we stop caring about them.

The reviewer is a member of staff.

X: WaqasAliRanjha

Published in Dawn, Books & Authors, March 29th, 2026



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FICTION: FRIENDS AND DOUBTS

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My Friend Maya
By Amber Zaffar Khan
Lightstone Publishers
ISBN: 978-969-716-311-3
239pp.

The title of the novel, My Friend Maya, seemed appealing, and the book seemed like an easy read, full of good times spent between two friends, laughter and mirth. But that wouldn’t make for a captivating story, and let the book pass as ordinary.

No wonder then, contrary to my first impression, the plot of My Friend Maya is, in fact, quite complex, as it explores themes such as narcissism, mental illness and substance abuse.

The author of the book, Amber Zaffar Khan, is an Abu Dhabi-based Pakistani art, culture and literature enthusiast and promoter, who began her literary career with a non-fiction essay, ‘Ordinary Lives’, in the anthology Home #itscomplicated. From Abu Dhabi, where she has been living for the last 23 years, she runs a successful book club with like-minded, literature-loving ladies that offers a collaborative space for sharing and discussing literary interests. My Friend Maya is her debut novel.

The story centres on the complex friendship between two friends who cross paths in their 20s, after they briefly interacted in college. They are opposite in nature — Maya is adventurous and feisty, with a rebellious approach to life, while Sehar is cool and practical and lives her life according to a strict moral and ethical code.

A debut novel tells the tale of a complex friendship between two young women while also exploring themes such as narcissism, mental illness and substance abuse

While most people in Sehar’s circle who meet Maya find something disturbing in her eyes, Sehar accepts this as just one of her characteristics. She even ignores people’s advice to be careful, despite acknowledging that “in her eyes there was an underlying fierceness and something unsettling about their gaze that discouraged prolonged eye contact, as if they invoked a subtle kind of terror.”

However, over time, their relationship is tested, and the close bond they initially formed evolves into a tumultuous one. Sehar, a steadfast loyalist, who is very kind towards Maya, realises that there is more to Maya than her charming exterior. As the story progresses and more and more facets of Maya’s personality and life are revealed, Sehar begins to question some of Maya’s actions. She is at a loss when it comes to understanding Maya’s behaviour and looks for excuses to justify her actions, though in her heart she is perplexed and not at ease.

With time, she begins to re-evaluate her place in this friendship; she struggles to cope with Maya’s erratic behaviour and constant demands for attention and time, and she continuously analyses the dynamics between them but finds it difficult to reach a clear answer. Later, she is left wondering: “Four years wasted on the belief that I was her unflinching anchor, supporting her through her darkest hours, blind to the fact that she was orchestrating a web of deceit to keep me tethered to her. How foolish I had been to think I was her saviour, her confidante, while she played the victim.”

Even when Sehar learns that her friend is suffering from a mental illness, she is at a loss to understand her behaviour. She realises that “Mental illness could alter perception and behaviour in inexplicable ways.” Yet, she has her doubts: “Was … mental illness… a genuine cause of her unstable behaviour, where the individual loses command over their thoughts and actions? Or were all the manipulations, lies and deceit also part of her personality, just compounded by her illness?”

This thought-provoking book explores the themes of psychological disorder, emotional manipulation and the human tendency for prejudice and domination, which often overlap and can profoundly damage interpersonal relations and the mental health of a person, often causing the victims to suffer from anxiety, depression and loss of self-worth.

It also addresses social taboos surrounding mental health, as well as the lack of awareness about — and understanding of — mental health problems, due to which it is difficult for people to detect if someone in the family or their circle of friends is suffering from a mental ailment. This sometimes results in the affected person’s condition deteriorating, and it is usually detected after too much water has flown under the bridge.

Furthermore, even if one realises there is a problem, seeking treatment can be difficult, due to the stigma attached to it. However, there is always hope for those who seek treatment, as when detected early and if the patient is surrounded by loving family and friends, the outcome can be positive.

Along with the relationship between the two friends, we read about issues in Sehar’s personal life — her family and her love life — which unfold as the story progresses and affect it at times. For instance, when her mother is hospitalised, Maya supports Sehar and stays overnight at her place so Sehar is not lonely. For this, Sehar feels deeply indebted to Maya for a long time, which may be another reason for her turning a blind eye or failing to see the reality of Maya’s mental state.

The reader gets a glimpse of Karachi of the mid-1980s and early 1990s through the eyes of young girls. For example, Sehar, while describing her college days in the mid-1980s, writes: “Those were simpler times; entertainment was simple and cost effective, and we were carefree youths indulging in innocent, innocuous frivolities”, such as playing badminton and throwball…; “other times just getting together and watching Top of the Pops on the VCR, or listening to music would make our day.” Readers who grew up during this time period are sure to feel nostalgic when reading such passages and will relate to them.

The book also touches on social norms now and then, the challenges faced by women of that era, the pressure to marry and the appropriate age for marriage — “Societal ethos of that era deemed that age [mid-20s] marriageable for girls” — and class consciousness. The friends, at one stage, openly discuss class differences and the characteristics that mark one as belonging to one class or another, and whether class differences affect one’s decisions, especially when choosing a life partner.

Though the book deals with some serious issues, it is a real page-turner, and the reader finds it difficult to put down, as the events in the girls’, especially Maya’s, lives keep the reader engrossed in the friends’ complex story that moves with twists and turns and keeps the reader guessing at what happens next.

The reviewer is a freelance journalist.

X: @naqviriz

Published in Dawn, Books & Authors, March 29th, 2026



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