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The Zeenat Haroon Rashid Writing Prize for Women calls for women writers to submit for its 2026 competition. The competition serves as a beacon of encouragement for Pakistani women writers both at home and in the diaspora, and carries a cash award of Rs100,000.

In 2026, the call for submissions is for NON-FICTION. Contestants are invited to submit entries in the form of a narrative, polemical or satirical essay, memoir, biography or travelogue on any subject or theme that uses Pakistan as a canvas or location and focuses on the country’s culture and society.

Entries open on April 1 and close on June 30. The competition is open to all women of Pakistani nationality or Pakistani heritage over the age of 18 and, as always, the judges will be looking for writing with a distinct voice.

This year the panel of judges once again features eminent figures in the literary landscape:

• Sanam Maher is a journalist from Karachi. Her book, A Woman Like Her: The Short Life of Qandeel Baloch (Bloomsbury 2019) was named one of the best books of the year by The New York Times and The New Yorker. Her work has appeared in Dawn, The New York Times, The Guardian, BBC and Al Jazeera, among other media. Since 2020, she has been a mentor for South Asia Speaks, a literary incubator for young writers in the region.

• Noreen Masud is an Associate Professor in English Literature at the University of Bristol, and an AHRC/BBC New Generation Thinker. Her memoir-travelogue, A Flat Place (Penguin 2023), was shortlisted for The Women’s Prize for Non-Fiction, The Sunday Times Charlotte Aitken Trust Young Writer of the Year Award, The Jhalak Prize, The RSL Ondaatje Prize and the Books Are My Bag Readers Awards.

• Sameer Rahim is a British novelist, critic and publisher with nearly two decades of experience in literary journalism. He has held editorial roles at publications including The London Review of Books, The Daily Telegraph, and Prospect magazine, and is currently publisher at The Bridge Street Press, a non-fiction imprint of Little, Brown (Hachette). Rahim has also served as a judge for several literary awards, including the Forward Prize for Poetry, the Orwell Prize for Political Writing, the Costa Poetry Award, and the 2020 Booker Prize. Rahim’s novel Asghar and Zahra (John Murray, 2019) received critical acclaim and was longlisted for the Desmond Elliott Prize.

Full details on how to enter and comprehensive competition rules can be found on the website

www.zhrwritingprize.com

For media enquiries please write to info@zhrwritingprize.com

Published in Dawn, Books & Authors, March 29th, 2026

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Zubaan Aur Tehzeeb
By Safdar Rasheed
Sang-e-Meel Publications
ISBN: 978-969-35-3716-1
311pp.

Zubaan Aur Tehzeeb [Language and Civilisation] is a recent book by Dr Safdar Rasheed, an author and researcher on language and culture, which is based on a series of discussions that Dr Rasheed held during his post-doctoral stay at Heidelberg University in Germany.

Instead of relying only on documents and archives when writing the book, he also spoke to European and South Asian scholars, teachers and writers on language, culture and education. Urdu, Hindi and Sanskrit are Dr Rasheed’s main interests, but there are dialogues in the book on Bengali, Tamil and Nepali as well. Through these, he explores these languages’ history, shared roots, conflicts and their links with religion and the nation. He also looks at their present condition.

One strength of the book is Dr Rasheed’s method of writing. He does not dominate the discussions. He simply asks questions and lets the other person speak freely. This makes the book more open and diverse in tone.

The first dialogue with Dr Anand Mishra, who became associated with Heidelberg University’s Department of Cultural and Religious History in 2009, concerns Sanskrit. It challenges the common view that Sanskrit was the language of only Brahmins. We learn that it once served as a “cosmopolitan” language across South Asia, written in various scripts and used in many regions. The discussion offers an overview of Sanskrit’s evolution, from an oral to a written tradition and traces it to South Asia’s oldest intellectual history.

Through a series of dialogues with scholars, a recent Urdu book examines language, identity and culture across South Asia and Europe

As an elite language Sanskrit was used by educated and scholarly groups for intellectual, religious and literary purposes. At the same time, it functioned as a lingua franca among people across different religions. So Dr Mishra says, people from the north of India could communicate with South Indians through Sanskrit. He also notes that much of South Asia’s ancient literature, including philosophical and scientific texts, is preserved in Sanskrit, making it one of the richest classical traditions in the world. Dr Mishra further explains that many modern South Asian languages emerged from, or were deeply influenced by, Sanskrit. Therefore, he describes them as tributaries of a larger linguistic river that is Sanskrit.

Finally, the discussion connects language to identity, culture and learning in the present day. Dr Mishra stresses that studying multiple languages helps uncover shared histories and encourages cultural exchange rather than division. Therefore, languages should not be seen as enemies.

The Urdu-Hindi conflict is not a conflict and shouldn’t be a matter of concern. The actual concern, he warns, is the English language and Americanisation, which is being spread in the name of so-called “globalisation”.

The most important dialogue in the context of today’s South Asia is with Dr Pankaj Prashar, associate professor of Hindi at Aligarh Muslim University. Here, the focus is on Urdu and Hindi and Dr Prashar’s main aim is to highlight the shared past of these two languages. Instead of stressing their differences, he emphasises their similarities. According to him, insisting too much on difference only feeds conflicts related to identity, which we already see taking place on both sides of the border, especially in India.

Dr Prashar argues that many Pakistanis hold mistaken views about India, which, he says, can only be corrected by learning more about the country and engaging directly with its people. He challenges the common belief that Urdu is neglected in India. Instead, more work on the language is being done there than in Pakistan, both today and historically. Urdu, he points out, continues to be recognised as a state language in parts of India.

Dr Prashar recalls that the first Urdu printing press was set up before Partition by a Hindu publisher, Munshi Nawal Kishore. He also points to the long tradition of Hindu writers and poets who contributed to Urdu literature, including Firaq Gorakhpuri (Raghupati Sahay), Jagan Nath Azad, Kali Das Gupta Raza, Rajinder Singh Bedi and Krishan Chander.

He further highlights the widespread use of Urdu in Hindi cinema, particularly in film songs. The author also praises the contributions of Sanjiv Saraf who, through the Rekhta Foundation that he founded, is serving Urdu on an international level.

He says that the Urdu-Hindi conflict is not a conflict and shouldn’t be a matter of concern. The actual concern, he warns, is the English language and Americanisation, which is being spread in the name of so-called “globalisation”.

English, he argues, is slowly taking over not only Urdu and Hindi but almost all South Asian languages. It appears to unite people but, in reality, it is pushing local languages to the side. This, he says, is a new kind of linguistic colonialism. It does not come with soldiers or flags, but with jobs, education, status and power.

He also says that this is not only a South Asian problem. In Europe, too, English is becoming dominant. Where there was once curiosity about different cultures, there is now a rush towards English because it means global access, jobs and mobility.

The book also connects this language shift to modern life, in which language has largely become a tool, not a ‘home’. People choose the language that gives them the most advantage, not the one that carries their memories or their histories.

Although Sanskit, Urdu and Hindi remain the main focus of the book, other dialogues discuss Nepali, Bengali and Tamil in South Asia and how they are taught in Europe, while others focus on language education in Europe, postdoctoral research systems, and the experiences of migrants.

The book is not a heavy theoretical work. And this is what makes it an accessible read for those who are interested in South Asian languages and their relationship with Europe. For students, teachers and general readers alike, it offers a calm but serious look at where our languages are going and what we might lose if we stop caring about them.

The reviewer is a member of staff.

X: WaqasAliRanjha

Published in Dawn, Books & Authors, March 29th, 2026

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