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SOCIETY: POSTCARD FROM NAZIMABAD

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On a recent excursion to the antique market in the vicinity of Zainab Market in downtown Karachi, I came across what looked like an old postcard. Without much inspection, I bought it to be looked at later. After bringing it home, I was overjoyed on finding out what I had just acquired. On the front, it reads (in Urdu):

In Memory of the Late Z.A. Bukhari

On behalf of Idara Yadgar-i-Ghalib, a memorial gathering will be held on Saturday evening, July 19, 1975, at Ghalib Library, in memory of the distinguished poet and great broadcaster of the Subcontinent, where prominent thinkers and intellectuals of every school of thought will address the gathering.

It is expected that among the speakers will be Faiz Ahmed Faiz, who will hopefully return to his homeland after his travels abroad, and will express his heartfelt love on this occasion.

Patrons and admirers of Bukhari are earnestly requested that they attend this gathering with their family and friends.

Yours sincerely,
Mirza Zafarul Hasan

A chance discovery at an antique stall is a reminder about the intertwined legacies of an eminent broadcaster and a Karachi neighbourhood once brimming with literary and cultural life…

The back of the postcard has English, Bengali and Urdu printed on it. In the section to the left, it reads: “‘Ghalib’ Quarterly Periodical. Chief Editor Faiz Ahmed Faiz; Editor — Mirza Zafarul Hasan.” It is followed by the current address of the Ghalib Library in the Nazimabad area of the city. On the right side are the details of the recipient.

Many among the current generation may not know who Z.A. Bukhari was and why this postcard matters five decades after it was sent.

A RENAISSANCE MAN

Zulfikar Ali Bukhari, popularly known as Z.A. Bukhari, was a famed broadcaster, cultural figure and the younger brother of humorist and writer Patras Bokhari. Bukhari will always be remembered for his work and immense contributions to the world of broadcasting, first at All India Radio and, after Partition in 1947, at Radio Pakistan.

In 1935, Lionel Fielden, a maverick war veteran, arrived on loan from the British Broadcasting Corporation, with the brief to modernise Indian radio and train local broadcasters. Bukhari was one of them and was soon promoted to the post of director of All India Radio.

It helped that Bukhari also had mastery in several languages, including Persian and Arabic, which he had studied at Lahore’s Oriental College as part of his Munshi Fazil — the highest degree at that time in oriental branches of knowledge. He also had a keen interest in theatre and Urdu poetry, while also being considered an authority on Indo-Muslim culture.

After Partition, Bukhari was an ideal choice for the post of director general of Radio Pakistan. With his rich understanding of music, Radio Pakistan became a hub for musicians, especially classical and semi-classical vocalists. His influence even extended to redefining how Urdu ghazals were rendered, establishing trends that remain central to the innovation and evolution of ghazal gayeki [renditions].

Later, he also served as the general manager of Pakistan Television, although he would eventually be forced into early retirement due to his opposition to the regime of Gen Ayub Khan.

The Ghalib Library in Nazimabad, Karachi today and (right) the front of the postcard invite to Z.A. Bukhari’s memorial in 1975 | Photos by the writer
The Ghalib Library in Nazimabad, Karachi today and (right) the front of the postcard invite to Z.A. Bukhari’s memorial in 1975 | Photos by the writer

A HUB OF IMMIGRANT ARTISTS

While Bukhari was creating waves in the broadcasting world, the township of Nazimabad was emerging as a hub of intellectuals and a melting pot of cultural activities.

A large number of migrants who came and settled in Karachi had their roots in culturally rich centres of the Subcontinent, such as Delhi, Amroha, Lucknow and Hyderabad. These people initially settled on the outskirts of 1950s Karachi, which included Jehangir Quarters, Martin Road and PIB Colony.

In those times, Karachi’s population surged from 400,000 at Partition to more than a million in a matter of a few years. To accommodate these arrivals, residential areas were created, causing the city to expand to a new scale. An arid piece of land a few kilometres from Karachi’s centre before the Partition, Nazimabad was amongst the areas marked for residential land. Named after the second governor general of Pakistan, Khwaja Nazimuddin, plots in Nazimabad were sold on a subsidised rate to people characterised as ‘Muhajirs’ in the census of 1951.

Amidst the chaos of the events of 1947, most people had migrated with just their most important belongings. Many had carried with them the idea that this was a temporary displacement and they would soon return back to their homes. Only when Nazimabad was taking shape in 1952 and the country’s borders became permanent did people realise that the divide would be permanent.

The idea and memory of homes that these migrants left behind is reflected in the architecture that this new part of town shared with that of homes in North India. By 1960, Nazimabad was home to several important poets and artists, such as Ibne Insha, Eqbal Mehdi and Sadequain. Celebrated painter Dr Ajaz Anwar recalls having met Josh Malihabadi and Sadequain over tea in Nazimabad.

Given its heady and intellectual environment, it became the perfect place to lay the foundations of a library as a tribute to one of the greatest Urdu poets, Mirza Asadullah Beg Khan, commonly known as Mirza Ghalib. While the country was in a politically volatile state, Faiz Ahmed Faiz and Mirza Zafarul Hasan laid the foundations of Ghalib Library on December 8, 1969. This was done to commemorate Ghalib’s centennial celebrations.

The signboard was painted by Sadequiain and the library was inaugurated with an exhibition of paintings and a mushairah [poetic symposium]. It was attended by some of the biggest literary names in the country, including Ismat Chughtai, Ibne Insha, Ghulam Rasool Mahar and Mukhtar Zaman, to name a few. The organisers also set up the Idara Yadgar-i-Ghalib (IYG) for the management of the library and other literary endeavours regarding Ghalib’s work.

Although no written sources confirm his presence, Z.A. Bukhari too must have been involved with the library in some capacity. Given his active presence in the cultural milieu of the time, his close association with Faiz and other poets and intellectuals seems only fitting. Bukhari’s connection to Nazimabad can also be credited to his active presence alongside Allama Rasheed Turabi in the marsia [elegy] recitals and majalis during Muharram.

This postcard must have been issued very soon after the passing of Z.A. Bukhari, considering he passed away on July 12, 1975, and the memorial was held on the 19th of the same month.

FIVE DECADES ON…

Very often when I come across old postcards, they carry images of mountains and valleys, cityscapes of London and Paris, or paintings by the old masters. This postcard, though lacking a beautiful photograph, offers instead a clear glimpse into a rich past. It stands at the intersection of Z.A. Bukhari’s legacy, a literary culture that was fostered through a sense of community and the vibrant cultural life of Nazimabad, which has not been seen since.

The Ghalib Library still holds its ground, though with an air of loneliness. Nazimabad has drifted far from what it once was, and the world of media and broadcasting has transformed beyond recognition. Yet, one can only hope that, amid these constant shifts, Z.A. Bukhari’s legacy is not forgotten.

The writer is a university student with interest in urban history, culture and public spaces. He can be contacted at pakistaniumer04@gmail.com

Published in Dawn, EOS, November 23rd, 2025



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Wonder Craft: Paper cup dustbin – Newspaper

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Recycling things is one of those habits that makes you feel proud, like you did something good without trying too hard and also helped the environment.

We all have things lying around, some in use, some totally useless, and half the time we don’t even notice them. So one random moment, a thought came into my mind: why not turn a paper cup into something useful instead of throwing it away? And then I came up with making this tiny DIY craft dustbin from a simple paper cup. It’s a small, fun idea that actually “works” and looks cute on the table. Let’s start making.

Photos by the writer

Things you need:

  1. Two paper cups (you can also use plastic)

  2. Scotch tape

  3. Scissors

  4. Craft stick one

  5. Pencil

  6. Glue stick

  7. Two pieces of coloured paper (green and any other colour)

  8. Hot glue (optional)

Photos by the writer

Directions:

  1. Put the cup upside down on any coloured paper (other than green). Trace a circle around the rim with a pencil and cut it out; pictures 2 and 3.

  2. Take another paper cup and cut off the curved top part along with about one centimetre of the cup below it; see pictures 4 and 5. This trimmed cup will go inside the main cup later.

  3. Cut a cup-wrap shape from green paper. Then cover the outside of the main cup with a glue stick; pictures 6 and 7.

  4. Make a small slit at the bottom of the cup, with scissors or a paper cutter, just big enough for a craft stick to slide in easily; pictures 8 and 9.

  5. On the craft stick, measure about one inch from one end, flatten the curved sides and paste the flattened part down one inch from one side of the remaining stick; see pictures 10 and 11.

  6. Carefully push the smaller end of the stick into the slit at the bottom of the cup, leaving the longer part of the stick outside; see picture 12.

  7. Now insert the smaller cut cup (the one we trimmed earlier) inside the main cup; picture 13.

  8. Take the circle you cut from the coloured paper in step 1, place it on top of your dustbin as a lid and tape it on from one side with scotch tape. When you press the stick outside, the inner cup lifts upward and the lid opens just like the real dustbins; see picture 14.

Isn’t it amazing and cute DIY?

The writer can be contacted at ithecraftman@gmail.com

Published in Dawn, Young World, December 6th, 2025



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Story time : The veiled robber – Newspaper

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Illustration by Aamnah Arshad

My school had taken us to the State Bank Museum as part of its educational field trip programme. I was on cloud nine, as I had a keen interest in finance and how the commerce and banking system operate. My friends had brought snacks for the trip and we enjoyed them along with constant giggles and commotion. The view was mesmerising as we passed the beach, watching the waves seamlessly crash into the sand.

As we reached our destination, my eyes immediately locked onto the massive building. It was a fine piece of stone and brick, with the marble shimmering in the distance. I noticed the lead used for the windows and the concrete shaping the entrance. According to the guide, the materials used in designing and building this colossal structure had been imported from England and Italy decades ago and had been well preserved ever since.

The air conditioner’s cool air greeted us as we entered the museum’s premises. The guide showed us a presentation about money and how it had evolved over the decades. After that, we were escorted to a room with large paintings.

They resembled Roman mosaics and contained a great deal of colour and detail. I learnt that the paintings explained how commerce worked in ancient times through barter trading and then gold. Agriculture was also visible in the paintings, highlighting its significance, and then modern-day banknotes and vaults were also depicted. We looked at a few other paintings, but quickly began to feel listless, as did the others; only a true artist could comprehend and appreciate the effort put into them, which we were not.

Moving on, we entered a room filled with glass cases. They contained numerous coins of various colours and sizes. Different figures were engraved on them and they looked fascinating. Alongside them were ancient forms of money, such as seashells, miniature clay tablets and so on.

“These are ancient relics spanning from the kingdoms in India, such as the Guptas and Dravidians, to the Muslim and Mongol empires,” explained the guide.

I scanned the cases, pondering how each ruler was so eager to have their face minted on the coins of their kingdoms. I came across old banknotes as well, dating back to the time the British ruled India. The banknotes had pictures of King George of England on them and I felt as if I had teleported back in time, especially since the interior of the museum also resembled a British building from the post–World War II era.

The guide then led us to a hall decorated with stamps and posters collected over the past century. Looking at posters and stamps doesn’t really float my boat, so I slipped out of the crowd.

Suddenly, something peculiar caught my attention. Bizarre sounds were echoing from a room and curiosity gripped me. I made my way towards it. A person was inside, their face obscured by a veil. I was puzzled as to whether the figure was male or female, but I was determined to uncover their identity. Just then, I couldn’t control myself and sneezed.

The figure spun around and noticed me. I held my composure, keeping my eyes locked on the mysterious person, and spotted a rope within my reach. My heart began racing, yet I steadied myself and flung the rope at the individual’s feet, causing them to trip. The veil came off and, dumbfounded, I scratched my head briefly.

It was Elvis Presley standing there, staring at me!

“That man died decades ago… so how could he be right before my eyes?” I wondered.

Immediately, I smelt rubber and understood what had transpired. Without thinking twice, I yanked at his face. He resisted, but due to my dogged persistence, he had nowhere to run.

After relentless effort, I managed to pull the mask off and before me stood the manager of the bank. My jaw dropped.

My school teachers and students, along with the security, had gathered as I had caused quite a commotion. The manager was arrested on the spot and after a few inquiries, the police informed our school that he had been after the ancient relics. He had calculated their approximate worth ever since he assumed office. The value ran into the billions, and he was planning to steal it all under the guise of being manager.

The security forces and museum staff thanked me, and my school was notified that the executive board, as well as I, had been invited to the capital for a state dinner celebrating this remarkable achievement. I was to be awarded a medal and recognised as a national hero.

Published in Dawn, Young World, December 6th, 2025



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Story time : Finding your tribe! – Newspaper

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“Guys, wait for me!” I called to my friends as I was packing my bag.

They didn’t seem to want to wait and just kept walking. I caught up with them, but they looked pretty miffed about me buzzing around them. They finally heaved a sigh of relief when I headed towards another door, as we went through different gates, me to the van area and they to the car parking.

We were a group of five, that perfect gang that was fit to be on a drama cast. We had the innocent Mishal, the sassy Bismah, the fashionista Rumaissa, the quiet Aliza and, of course, the high scorer (I’m only admitting this for a good intro), me. We had been together since day one of this year. But now, they were ignoring me.

Okay, so a little fact about me: I’ve always been ready to please people, ready to adjust. I make friends with everyone, though I kind of prefer if they are a bit like me.

Being totally unaware of why I was being ignored, I started guessing the reason. Obviously, I thought it was because I always wore desi clothes while hoodies and T-shirts made up most of their wardrobe. I assumed it was because I was a bit behind on trends. So, determined to change things back to normal, I decided to show that I was hurt.

I started getting quieter in class, more distant. I don’t know how I actually looked, but I might have done a great job; my classmates were asking what was wrong. But my friends weren’t. They were too busy in their own lives. All except Bismah, though. She always made me feel like I mattered.

It was just an ordinary science class when the teacher asked us to divide into groups of four for a project. The marks would be added to the final exams, so, for once, our class was taking it seriously.

“Hey, let’s do it together,” Bismah whispered. I nodded fervently. “Though we need two more members…” she trailed off.

“You can ask Mishal and Aliza,” I offered. I seriously thought that would do the trick. And it did.

We worked hard for a week, our WhatsApp chats flooded with ideas and documents. We actually got a pretty good grade, and I thought everything was back to normal, that we were travelling back to Friendshipville.

But the second we walked out of the classroom, they forgot I was there. Only Bismah stayed by my side. It was tempting to wave my arms and say, “Hello? You guys know I exist or was I only real for doing hard work so you could get a good grade?!”

But I didn’t say anything. I never do. I was officially replaced in my gang by Zunaira, Amira and Hannah. I just went into a loop of endless confusion and sprained trust.

It was just luck that one day, when our teacher shuffled our seats, I got a seat next to Zara, Maryam and Friha.

Zara was the cricket expert, like seriously, The Cricket Expert. She could hit ten sixes in a row and won us every match against other classes. Maryam was the music fan, the one who is a bit annoying and sarcastic, but a very good friend. Friha was the class buddy, always checking in with everyone and providing emotional support.

They had always supported me. Once, I was hesitant about talking about a particular thing because I thought people would think I was weird or cringe. Maryam and Friha had towered above me (even though I’m taller than both of them).

“Seriously, Fatimah, stop worrying who will think what,” Maryam said.

“Life’s too short to worry. What has to happen, has to happen,” Friha added, grinning.

Zara, as usual, was ready to distract my mind with a cricket bat in her hand.

They always stayed by me, never letting me feel alone in a crowd. They always made sure they had an endless supply of humour and comebacks for me. I was very hesitant about playing sports, but one day after a random game of throwball with them, I got so much encouragement.

“You should play a whole lot more, maybe even consider entering school matches,” Zara had said.

“Maybe… I don’t know. I just like playing with you guys. Thanks, though,” I had replied, grinning.

I always felt scared about setting boundaries with other people. But my new friends had already asked to set some rules. They made sure I wasn’t hiding anything that was bothering me.

I tried my best to be there for them as well. I remember that during the class party, Maryam had been freaking out because a girl in another class had worn the exact same dress as her.

“Please, relax,” I had hissed while she muttered about being accused of copying. “She has a different print on hers. No one has time to notice.”

I still talked to my old group, smiled at them and stayed friendly, especially with Bismah, who I still text, because I hadn’t really left them. I had just let them be more complete without me, more perfect without me. And honestly, I agree. They seem better off without me.

Sometimes there are places where you fit, but there are places where you fit even better. Sometimes it’s hard to let go, but sometimes, you have to.

I did, and now, when I see Mishal, Rumaissa, Bismah, Aliza, Zunaira, Amira and Hannah goofing around, I realise I not only found new friends, but I also let them be themselves more freely without me there, accidentally ruining their vibe.

I get it, it’s hard. But once you do it, chances are you’ll cherish your decision.

Stop running after people, stop depending on them.

See the people who trust you, who make you feel you have a place in their hearts.

Because they, I must say, might be the ones who are truly yours.

Published in Dawn, Young World, December 6th, 2025



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