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WIDE ANGLE : THE EXISTENTIAL CRISIS OF THE US LEFT

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Donald Trump’s victory in November 2024 led to considerable soul-searching among those on the left of US politics. Having failed to defeat a convicted criminal they beat once before, the Democrats spent most of 2025 licking their wounds, as Trump launched what they saw as a full-frontal assault on US democracy.

This new year has begun with fresh outrages at home and abroad, with the administration acting with increasingly horrifying impunity. Coupled with the continued rise of right-wing populism and authoritarianism the world over, Trump 2.0 has felt like an existential crisis for the left.

The country has been here before. Left-wing protest movements in the 1960s in the US contributed to great legislative change — particularly in the area of civil rights — but they were often caricatured as unpatriotic, particularly in relation to the war in Vietnam. The feeling that the country was coming apart at the hands of young, violent radicals led the conservative ‘silent majority’ to deliver Richard Nixon’s 1968 election victory.

Since then, mainstream left-wing politics in the US has recoiled from the idealism of the 1960s and instead offered change mostly in small increments. But this has arguably not proven a particularly successful strategy either over the past half century or more.

Two films from 2025 concerned with the failures of left-wing revolutionary politics of 1960s and 1970s America have emerged almost simultaneously with Trump’s resurgence

In the context of yet another defeat and the latest round of introspection, it seems appropriate, then, that two films concerned with the failures of left-wing revolutionary politics of the 1960s and 1970s should emerge almost simultaneously with Trump’s resurgence.

Exploring left-wing activism

Though very different in style and tone, Paul Thomas Anderson’s One Battle After Another (2025) and Kelly Reichardt’s The Mastermind (2025) both critique what they see as the strategic inadequacy and self-indulgence of left-wing activism, as well as explore its personal cost.

One Battle After Another sees former revolutionary Pat Calhoun, aka ‘Bob’ (Leonardo Di Caprio), trying to rescue his daughter Willa (Chase Infiniti) from the clutches of a psychopathic white supremacist colonel, Lockjaw (Sean Penn).

Though Bob had, in a previous life, resisted the federal government’s cruel, racist immigration policies through a series of daring raids on detention centres, fatherhood and excessive cannabis use have dulled his revolutionary edge. Instead, Bob is now a somewhat incompetent buffoon.

The film mines, for comedic purposes, his shambolic attempts to communicate with the “French 75” — the revolutionary army of which he was once part, modelled on real-life revolutionary groups of the 1960s and 1970s, like the Weathermen.

Stumbling around in his bathrobe, he has forgotten all the codes and conventions necessary to navigate this world. From passwords to pronouns, Bob is out of step with the times.

However, the film finds room to poke fun at the sanctimony of the left too. As Bob grows increasingly aggressive when unable to secure information regarding a crucial rendezvous point, the thin-skinned radical to whom he is speaking on the phone informs him that the language Bob is using is having a detrimental impact on his well-being. If Bob lacks the competence to support the revolution, the people in charge of it are too fragile to achieve one either.

By contrast, The Mastermind follows J.B. Mooney (Josh O’Connor) in his attempts to evade the clutches of the authorities after he orchestrates the theft of four artworks from a suburban museum. Husband, father, and the son of a judge, Mooney is privileged, directionless, disorganised, selfish and, it seems, oblivious to the impact of the war in Vietnam, as conflict rages all around him.

His disorganisation is obvious from the moment he realises his children’s school is closed for teacher training on the day of the heist. His privilege is clear when all he has to do is mention his father’s name when first questioned by police to get them off his back. Even his attempts to convince his wife, Terri (Alana Haim), that he did this for her and their kids are inadequate, as he stumbles into admitting he also did it for himself.

While on the run from the authorities, Mooney appears ignorant of what is really going on around him, from the young Black men who discuss their imminent deployment to Vietnam, to the news broadcast of the realities of the war. Without spoiling anything, Mooney is, in the end, unable to avoid the effects of Vietnam on US society altogether.

Telling moments in both films also suggest the wavering commitment to revolution among its former acolytes. In The Mastermind, Mooney hides out at the home of Fred (John Magaro) and Maude (Gaby Hoffmann), a couple with whom he attended art college.

Despite her activist past, Maude refuses to let him stay for longer than one night for fear of unwanted attention from the authorities. In One Battle After Another, Bob’s willingness to take risks with his safety and freedom declines when he becomes a parent, and he is — rather problematically — quick to judge Willa’s mother, Perfidia (Teyana Taylor), for continuing to do so.

Political cinema of the 1970s

Both films can’t help but recall the similarly political work produced in US cinema in the late 1960s and early 1970s, such as Five Easy Pieces (1970), Two-Lane Blacktop (1971) and Chinatown (1974). In the midst of the Nixon-era backlash to the radicalism of the 1960s, these films have a tone of defeatist resignation, featuring directionless protagonists and unhappy endings.

The Mastermind’s conclusion is comparable to these earlier examples: its conclusion sees the police at a Vietnam protest, patting each other on the back, having rounded up another bunch of protesters and sent them to the can.

Though One Battle After Another is considerably more effervescent in its style, it too sees left-wing revolutionary politics as something of a dead end. Smaller scale victories are possible, with Sergio (Benicio Del Toro) continuing to fight the good fight for undocumented immigrants, and Willa running off to join a Black Lives Matter protest at the film’s end.

But watching both films from the perspective of a new year in which the Trump administration threatens violent upheaval at home and abroad, I think of Captain America’s (Peter Fonda) mournful lament towards the end of counterculture classic Easy Rider (1969): “We blew it.”

The writer is Teaching Associate in Media and Cultural Studies at the University of Nottingham in the UK

Republished from The Conversation

Published in Dawn, ICON, February 1st, 2026



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SMOKERS’ CORNER: MIRACLES AND MATERIALITY

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A recent video showing a Quran that survived the devastating fire at Karachi’s Gul Plaza has reignited a centuries-old conversation. Throughout history, accounts of Bibles, Qurans or Buddhist sutras emerging unscathed from catastrophic floods and fires have been celebrated as Divine interventions. While these events offer profound spiritual solace, a closer look reveals a fascinating intersection of material physics and psychological bias.

From a physical standpoint, Dougal Drysdale, Professor Emeritus at the University of Edinburgh, suggests that a hardbound book’s survival is often due to the ‘Closed Book Effect.’ When shut, a book functions as a dense, oxygen-starved block of cellulose. Because fire requires a steady flow of oxygen to consume fuel, the tightly packed pages resist ignition by preventing airflow from reaching the interior.

In the event of a flood, the surface tension of water against tightly pressed pages creates a natural barrier. This prevents deep seepage for a significant period, often leaving the heart of the book perfectly dry.

American psychologist Thomas Gilovich explains that when a sacred text survives a disaster, it often becomes more than just a book. It is elevated to a sacred relic. This transformation, according to Gilovich, can significantly redefine a community’s cultural path. In the aftermath of the 2011 Joplin tornado in Missouri, US, survivors and news outlets frequently highlighted the ‘miraculous’ discovery of intact Bibles among the rubble of flattened homes.

The survival of holy texts in the aftermath of natural catastrophes is often termed ‘Divine protection’, revealing the cultural and spiritual narratives people love to attach to such instances

While hardbound dictionaries and cookbooks likely survived in the same ruins due to their similar physical construction, these secular items were ignored by the media as mere debris. The surviving Bibles were immediately elevated from functional reading material to sacred relics, often being framed and displayed as symbols of Divine protection.

By focusing on these specific books, the media triggered a cognitive bias that led people to view the event through a supernatural lens rather than recognising the simple physical durability of bound paper.

British scholar Susan Whitfield, in her 2004 work The Silk Road: Trade, Travel, War and Faith, details the discovery of the Mogao Caves in China. In that instance, the sealing of the Buddhist text the Diamond Sutra (868 CE) within a dry, walled-up chamber created a “natural vault” that protected the world’s oldest-dated printed book from the degrading effects of humidity and oxygen for nearly a millennium. The perception of such objects often shifts from the literary to the ‘miraculous’.

During World War I, pocket Bibles carried by soldiers occasionally stopped shrapnel due to the high density of their compressed paper. This led many soldiers to treat the Bibles as protective talismans.

The Codex Amiatinus, frequently referred to as the ‘Grandfather’ of Latin Bibles, has survived for over 1,300 years due to its immense physical durability. According to Drysdale, this enormous volume, created around 700 CE in Northumbria, England, weighs over 34 kilogrammes and was crafted from the skins of more than 500 calves.

The use of high-quality parchment makes the Bible significantly more resistant to fire and decay, as organic animal skins lack the highly flammable, oxygen-trapping fibres found in wood-pulp paper. This Bible remained virtually untouched for a millennium, preserved by the stable environment of an Italian abbey that served as a ‘natural vault.’

In West Africa, the Desert Manuscripts of Timbuktu offer a compelling example of texts surviving environmental factors, a story often framed as miraculous. When Islamist militants set fire to the Ahmed Baba Institute in 2013, there was widespread global concern over the potential loss of thousands of ancient Islamic manuscripts. However, according to the researcher Mauro Nobili, the extreme aridity of the Sahara desert was critical in aiding their preservation for centuries.

The persistently low humidity prevented mould growth and kept the delicate ink stable, allowing for their long-term survival, which many viewed as a modern miracle. However, the more vulnerable manuscripts were secretly shifted to safer locations before the militants set fire to the Ahmed Baba Institute.

During the Viking raid on Lindisfarne — a tidal island off the northeast coast of England — in 793 CE, a legend emerged concerning a sacred book, Lindisfarne Gospels, which was said to have been dropped into the sea by fleeing priests. Three days later, it washed up perfectly dry. While this specific account is often considered apocryphal, the physical survival of such ancient texts is frequently due to their durable leather and metal bindings, which act as a protective shell for the internal vellum.

Gilovich would point to stories such as this ‘dry’ recovery of a Bible as prime examples of how the media and oral tradition prioritise miraculous narratives over the mundane reality of material science, thereby reinforcing spiritual beliefs.

According to the prominent professor of psychological sciences J. Park, communities frequently transform these survival stories into powerful symbols of “Divine protection” as a means of processing the profound trauma of disasters. This phenomenon ultimately highlights a dynamic intersection, where material science meets deep human sentiment.

While the inherent fire-resistant properties of vellum offer logical, scientific explanations for the physical survival of many books, the human psychological element remains paramount. The inherent human need to find order, meaning and hope within chaos is what elevates these surviving sacred objects from mere material items to vital spiritual anchors for a community’s recovery and continuity.

The endurance of these texts represents a profound intersection between material science and human psychology. It is not merely the density of vellum, the chemical stability of ancient inks or the aridity of a desert that ensures survival. Rather, it is the way these physical realities interact with our inherent drive to find order in the wake of destruction.

Gilovich’s research posits that when a community witnesses the survival of a sacred text, they are not simply observing a quirk of physics. They are engaging in what Park describes as “meaning-making”, using the survived sacred object to process trauma and reclaim a sense of ‘Divine protection.’ Whether through the preservation of the Diamond Sutra in caves, or a Bible or a Quran found amidst the ruins of a modern disaster, these serve as a bridge between the tangible and the transcendent. Their survival is a testament to the fact that, while fire and time may consume the material, the cultural and spiritual narratives we attach to them remain indestructible.

Yet, it is equally important that we recognise the physical realities of their endurance, acknowledging that the science of material durability does not diminish the ‘miracle’, but rather provides a rational foundation for understanding how the written word survives the very elements meant to destroy it.

Published in Dawn, EOS, February 1st, 2026



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GARDENING: SWISS ONLY IN NAME

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The colour of the mid ribs and stem often determines the name of the variety | Photos courtesy the writer
The colour of the mid ribs and stem often determines the name of the variety | Photos courtesy the writer

Different varieties of leafy green vegetables (locally known as saag) are commonly grown in the Subcontinent due to the favourable growing conditions here. These green vegetables are prepared in traditional meals that contain the signature South Asian touch. However, Swiss chard remains relatively unknown to many.

Swiss chard is one of the easiest-to-grow leafy green vegetables. Unlike other leafy green vegetables, Swiss chard has beautiful bright green-coloured leaves with white, yellow or maroon midribs and stem. No wonder that a few sub-varieties of the Swiss chard are referred to as rainbow chard!

It is also known as spinach beet and leaf beet, while other names reflect the colour of its stems. For instance, the ones with white midribs are referred to as silver beet and those with red or maroon stems are known as rhubarb chard. Its striking colour combinations make it attractive enough as an ornamental plant.

Scientifically known as Beta vulgaris L. var. cicla, Swiss chard belongs to the Amaranthaceae family, which was formerly known as the Chenopodiaceae family. While it is also considered a beet, its root is inedible. Due to its close resemblance to spinach and beet root, it is not recommended to grow Swiss chard near either of them. Pests and diseases affecting beet root and spinach will likely attack Swiss chard as well.

While many other types of saag dominate South Asian kitchens, Swiss chard — of Mediterranean origin — remains largely unknown here…

Contrary to its name, Swiss chard does not originate from Switzerland. The origin of the ‘Swiss’ prefix remains contentious. One theory is that it is widely grown in Switzerland. In fact, Swiss chard primarily originates from the Mediterranean region. However, it is extensively used in Swiss cuisine.

Another theory is that the botanist who first classified this vegetable was Swiss and used the prefix to create a distinction from other leafy vegetables. The most common theory is that the European seed merchants added Swiss to distinguish it from the closely related French chard. If that were not enough to confuse you all, the word ‘chard’ is of Latin origin, meaning thistle — a common gardening term referring to a flowering plant which has prickly bracts.

Swiss chard seeds resemble those of spinach
Swiss chard seeds resemble those of spinach

Swiss chard seeds are easily confused with those of spinach, due to their stark resemblance. The seeds of Swiss chard are faded brown to dark brown in colour. They have a dry, rough texture and are irregular in shape. The seeds are hard and are surprisingly light for their size. Like spinach, one seed of Swiss chard can result in three to four seedlings. For this reason, it is known as a seed ball, containing potentially three to four seeds.

Being hardy, Swiss chard has minimal requirements. One of the best aspects about sowing Swiss chard seeds is that they can be grown in almost any available space. You can grow it on a strip of land, small pots and even around other plants in the same pot. However, when sowing Swiss chard seeds for a full crop, certain aspects should be taken into account.

In climates similar to Karachi, the seeds can be sown from mid-October onwards or when the temperature falls to 20 degrees Celsius. The potting mix should be pre-moistened and clear of pebbles and stones. Seeds should be placed half an inch below the surface and covered with a layer of compost. The soil should remain moist, not wet.

Depending on the desired yield, any pot size can be used, since the roots are small. Pots should then be placed in a cool shade with indirect sunlight. If the Swiss chard plant is being grown in an open field or in raised beds, it should be shielded from direct sunlight exposure, to minimise evaporation.

Some gardeners prefer to soak the seeds in water for four to six hours to ensure better and quick germination. In favourable conditions, Swiss chard seeds are likely to sprout within one week to 10 days.

Please send your queries and emails to doctree101@hotmail.com. The writer is a physician and a host for the YouTube channel ‘DocTree Gardening’ promoting organic kitchen gardening

Published in Dawn, EOS, February 1st, 2026



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ADVICE: AUNTIE AGNI

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Dear Auntie,
Hope you are well. I am seeking your advice regarding a situation that has been bothering me for a long time. I’m a university student and I met this girl. She seemed very interested in me at that time and so was I in her. We had great chemistry, something I’ve never felt in my life. But I never confessed my feelings to her because of certain things I heard about her. Later, I found out she was dating someone. I internalised my love for her for quite a long time, almost a year, until I couldn’t hold it in, and confessed everything to her, even though I knew she was in a relationship.

The nature of my work requires me to face her and, whenever we work together, that chemistry-like muscle memory hits like a truck and I fall head over heels for her all over again. Even though getting her is nothing but a distant dream, I still can’t get over her and long for her all the time. It’s like a stalemate. I would really appreciate your advice on this.
Longing and Yearning

‘I Am Obsessed With a Woman I Can’t Have’

Dear Longing and Yearning,
This is a classic case of excellent chemistry but bad timing. Auntie has seen this film before and the hero always thinks that this one love is ‘different’. Maybe it is different for you. But the situation is very, very old.

Let’s start with the fact that you don’t want to face… that this is not love. This is emotional attachment, mixed with a heavy dose of imagination. And it is a powerful mix, made more powerful because the person in question is unavailable.

Every time you see her, your brain tells you “Ah yes, the unfinished business.” But notice something important… the girl chose someone else. This was not because you are not good enough, but because her life moved in a different direction. That is her choice, and chasing emotionally after someone who has chosen another path slowly kills your self-respect.

The chemistry you talk about is a result of you training your mind for a year to revolve around her. Of course, your brain runs back there. Our minds do what seems familiar and comfortable. Right now, you are feeding the feeling every time you replay moments and analyse your interactions with her. You are emotionally investing in a door that is firmly shut and you are wondering why you feel stuck outside. Of course, you are stuck!

It is time to start acting professionally with her. And it is time to stop any emotional conversations with her and avoid needless eye-contact. When your mind starts romanticising anything about her, interrupt it with reality, by reminding yourself that she is in a relationship and that you deserve someone who is available.

The person who is meant for you will not require this much suffering just to exist in your life. Mutual love is supposed to feel stable.

You are not losing her. You are grieving a life that you imagined. The grief will pass when you stop feeding it. You are simply holding on to an illusion because it once felt beautiful. Just let it be beautiful. And let it go.

Disclaimer: If you or someone you know is in crisis and/or feeling suicidal, please go to your nearest emergency room and seek medical help immediately.

Auntie will not reply privately to any query. Please send concise queries to: auntieagni@gmail.com

Published in Dawn, EOS, February 1st, 2026



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